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중도 성향
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2»Gothic«: Endlich wieder volles Pfund aufs Maul
»Gothic« ist ein deutscher Rollenspielklassiker, nun gibt es ein Remake von spanischen Entwicklern. Können sie das Gefühl der Vorlage einfangen? Sie können – und wie!
"GOTHIC" · 총 10건
필터 보기현재 지수
50.3
0 = 부정 우세
50 = 중립
100 = 긍정 우세
최근 7일 기준 87,825건을 분석한 결과, 뉴스 심리지수는 50.2(균형)입니다. 긍정 4,284건(4.9%)·중립 81,399건(92.7%)·부정 2,142건(2.4%)이며, 중립 비중이 뚜렷하게 높습니다. 성향 지수는 종합 14.8(중도 균형)입니다.
»Gothic« ist ein deutscher Rollenspielklassiker, nun gibt es ein Remake von spanischen Entwicklern. Können sie das Gefühl der Vorlage einfangen? Sie können – und wie!
Das Rollenspiel »Gothic« hat auch ein Vierteljahrhundert nach Erscheinen viele Fans. Jetzt wurde das Kultspiel neu aufgelegt. Doch kann das Remake den Zauber von einst wieder aufleben lassen?
It all crowns the neo-Gothic building known as the Opera, located at 2166 Broadway and 77th Street.
The author is known for genre-bending stories that span Southern gothic, horror and fairy tale.
Gabourey Sidibe is set to star in and executive produce “Rose Moon,” a Southern Gothic psychological drama from filmmaker Daniel Peddle. The film follows Rose King, a lonely North Carolina probation officer whose affair with a parolee spirals into obsession, placing her career at risk. It is based on a true story with the filmmakers […]
The annual Black Cowboy Festival in South Carolina, a springtime heat wave across western Europe, ballroom dancing in England, a gothic festival in Germany, and much more
(Mexican Summer) The quintet add shoegaze, country and 50s rock’n’roll to their core indie-punk sound, resulting in songs that offset lyrical bleakness with gleeful, uplifting music Iceage have always seemed like a band in a state of constant development. You might say that’s understandable, given the Danish musicians were in their teens when their debut album New Brigade was released in 2011: if you don’t change between the age of 18 and your early 30s, you’re probably in trouble. But rock music isn’t real life, and a less adventurous band might have been minded to stick with a good thing, given the reception New Brigade was afforded. Twenty-four minutes of hardcore blended with noisy Birthday Party-esque post-punk and a sizeable pinch of gothic gloom, it was praised so vociferously that the praise itself provoked heated debate, as claims any one band are the “saviours” of an entire genre are wont to do, particularly when said genre is punk. Iceage seemed entirely unbothered about any ensuing weight of expectation. If they didn’t exactly sound like a completely different band on 2014’s Plowing Into the Field of Love, they were still doing things you would never have imagined the authors of New Brigade doing: piano ballads, country-rock and, on Abundant Living, attempting to join the dots between Howlin’ Wolf’s Smokestack Lightning and the ramshackle sound of frontman Elias Rønnenfelt’s favourites the Pogues. In 2018, Beyondless offered Dexys-style horns, New Orleans jazz and a track that sounded like mid-80s U2 equipped with a string section. By 2021’s Seek Shelter, they had a gospel choir on board and mixed anthemic songs – imagine Oasis mired in angst, gloom and distortion – with tracks that interpolated the Carter Family’s Can the Circle Be Unbroken? or bore the influence of French chanson. Continue reading...
The woman's body was discovered in a toilet near the Banbury Cross, a 16-metre neo-Gothic monument.
In this lurid, big-boned, often brilliant book about a sculptor and a true-crime documentary, state-of-the-nation commentary and gruesome chills combine Claire Fuller is fascinated by corpses: by the moment when a supple, beloved body turns into inert, heavy matter. In her masterful 2021 Costa winner Unsettled Ground, adult twins veer between pathos and gawky comedy as they attempt to dress and bury their dead mother, floored by the sheer, awful weight of her. Now in Hunger and Thirst, Ursula’s destiny is shaped by encounters with two cadavers. And as the book oscillates between social realism and gothic horror, these two unruly corpses destroy her life. The first is Ursula’s itinerant, troubled but loving mother, who’d been busking with her child alongside her since giving birth at 16. Aged seven, Ursula spent an appalling two days stuck in a bathroom in Morocco, with the door trapped by her mother’s dead body after she died of dengue fever. By the time the novel opens in 1987, Ursula is 16, and has been moved between seven children’s homes before ending up at a “halfway house” alongside recovering addicts and released prisoners. She lands a trial job in the postroom at Winchester School of Art: there she makes friends with bold, madcap Sue, who thrusts on Ursula an unfamiliar intimacy, introducing her to her enviably warm and rambling family. Ursula is narrating the book 40 years later, and it’s clear from the start that something will go so horribly wrong between Ursula and Sue that a prurient documentary-maker will end up making a film about Sue’s murder. Scenes from this documentary, Dark Descent, punctuate the book, adding to the sense of foreboding. Continue reading...
In 1840, British architect George Wightwick published a world history of architecture in the Romantic mode, inviting readers to enter a vast garden where Buddhist iconography rubs shoulders with Greek temples and Egyptian pyramids gaze upon Gothic cathedrals. His intended audience? Idle women. Matthew Mullane revisits this visionary but ultimately unpopular text, revealing the legacy of attempts to gatekeep the realms of imagination and fantasy pertaining to the built environment.