They booked dream acting jobs — then lost them to AI
Actors who flocked to the booming micro-drama industry are losing roles as producers swap them with AI-generated performers. Is Hollywood next?
IT/기술 · "PERFORMERS" · 총 4건
필터 보기현재 지수
50.3
0 = 부정 우세
50 = 중립
100 = 긍정 우세
최근 7일 기준 74,739건을 분석한 결과, 뉴스 심리지수는 50.2(균형)입니다. 긍정 3,752건(5.0%)·중립 69,161건(92.5%)·부정 1,826건(2.4%)이며, 중립 비중이 뚜렷하게 높습니다. 성향 지수는 종합 15.2(중도 균형)입니다.
Actors who flocked to the booming micro-drama industry are losing roles as producers swap them with AI-generated performers. Is Hollywood next?
Opera makers have always engaged with the latest inventions while also preserving historic crafts. I believe it’s possible to look both forwards and backwards in this fast-evolving landscape The disquiet and distrust surrounding artificial intelligence among artists and creatives remain real and consequential, and the language used by leading arts commentators is often apocalyptic: AI will decimate the arts, it is evil, it is the devil. Like many emerging technologies, AI has been driven by the corporations at the forefront of its creation. Introduced to the public at a rapid rate and continuously evolving, machine learning has become closely entwined with fear, antipathy and foreboding. At the same time, its powers and possibilities are expanding exponentially, becoming embedded in almost every aspect of human activity. The upcoming RBO/SHIFT festival at the Royal Opera House aims to interrogate all sides of this fast-evolving landscape to enable artists, performers, creatives and audiences to think deeply and widely about where we are now, and where we may be tomorrow. Machine learning represents a seismic shift, both in society and in the arts, and we need storytellers, artists, teachers and thinkers in this space to help determine the direction of that shift and help us navigate this unfamiliar territory. Continue reading...
LOS ANGELES, May 30 — As Hollywood’s performers cast their ballots to approve the latest negotiated contract...
Paul Schrader, the veteran filmmaker behind First Reformed, American Gigolo and The Card Counter, thinks the future of cinema belongs to synthetic performers like . Speaking at Amazon’s AI on the Lot event, the 79 year old director told attendees, “The real tip of the spear is...