The Jerusalem Post
중도 성향
정치
October 7 shows the cost of Israel leaving the Palestinian issue unresolved - opinion
Hamas sought endless war and division; the tragedy is that its strategy has worked on both Israelis and Palestinians.
"TRAGEDY" · 총 190건
필터 보기현재 지수
50.3
0 = 부정 우세
50 = 중립
100 = 긍정 우세
최근 7일 기준 88,430건을 분석한 결과, 뉴스 심리지수는 50.2(균형)입니다. 긍정 4,401건(5.0%)·중립 81,862건(92.6%)·부정 2,167건(2.5%)이며, 중립 비중이 뚜렷하게 높습니다. 성향 지수는 종합 14.7(중도 균형)입니다.
Hamas sought endless war and division; the tragedy is that its strategy has worked on both Israelis and Palestinians.
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How does a 100-year-old dance company face the 21st century? For Rambert’s Benoit Swan Pouffer the answer is combining innovation with popular adaptations such as the Brummie crime saga On 15 June 1926, the Lyric theatre in Hammersmith played host to “an engaging little ballet” called A Tragedy of Fashion, a “chic trifle” according to the press, that had been first concocted round a west London dinner table. Yet it turned out to be a momentous moment in the course of British dance. The show was produced by Marie Rambert, a Polish émigré who had performed with Diaghilev’s Ballets Russes, and it was the beginnings of a dance company that’s still going strong 100 years later. Marie Rambert was a force of nature. She has been called “an inspired talent spotter and legendary bully”, with “wit, taste and a sharp instinct for trends”, and with her nascent company (first known as the Marie Rambert Dancers, then Ballet Club, then Ballet Rambert), she kindled the talents of Britain’s most influential choreographers of the age, including Frederick Ashton and Antony Tudor. “This woman was a pioneer,” says the company’s current artistic director, Benoit Swan Pouffer. “She was really ahead of her time.” Nonetheless, fast-forward 100 years and Marie Rambert wouldn’t recognise the company that still bears her name, written in capitals down the side of a sleek building just behind the National Theatre, on London’s South Bank. Continue reading...
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David Gilkey, an NPR photojournalist who documented tragedy and hope, was killed in Afghanistan in 2016 along with NPR's Afghan interpreter and fellow journalist Zabihullah Tamanna.
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A heartbreaking video captured a mother and son moments after losing their home, highlighting the despair that drives individuals to desperate actions amid tragedy.
The movie adaptation of Gary Owen’s acclaimed play Iphigenia in Splott, Effi o Blaenau, is released this month. Here, its director and crew explain why they relocated the film to a post-industrial mining town – and refused to make it in English The one-woman play Iphigenia in Splott was first performed in 2015. Eleven years on, Gary Owen’s reworking of Greek tragedy, transplanted to working-class Splott in Cardiff, has earned its place as a modern classic. It reimagines the mythological heroine Iphigenia as Effie, a young woman filling her days drinking vodka out of a mug in her dressing gown. The play is about poverty and social inequality, closures and cuts, services scraped to the bone by austerity. Its most recent five-star Guardian review in 2022 advised: “Everyone should see this.” One person who did was Leisa Gwenllian, a final-year drama student from north Wales. “I was on the front row with my mate,” says Gwenllian, 24, drinking mint tea in a London hotel. “I can remember thinking: wow! A Welsh woman with a strong Cardiff accent on the stage at the Lyric [in Hammersmith, London], that’s what it’s all about.” At the Oxford School of Drama, Gwenllian was mainly studying the classics alongside people with different accents and backgrounds from her own. “To see yourself on stage is really powerful.” Continue reading...
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While poor Henry Nowak's grieving family have behaved with decency and dignity at all times during this tragedy, the Digwa family have taken a different approach...
A former Army chaplain called the reported changes a ‘tragedy’
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Hotel staff moved the couple into separate villas following a vicious argument, according to police.
Eight-year-old James died alongside his mum and baby brother in the early morning smash.