‘Disclosure Day’, ‘Peddi’, ‘Toy Story 5’: 11 Highly Anticipated Movies Releasing In June 2026
After a May that delivered The Mandalorian and Grogu, Obsession, Backrooms, and The Devil Wears Prada 2, June has giant shoes to fill.
"OBSESSION" · 총 94건
필터 보기현재 지수
50.3
0 = 부정 우세
50 = 중립
100 = 긍정 우세
최근 7일 기준 87,422건을 분석한 결과, 뉴스 심리지수는 50.2(균형)입니다. 긍정 4,284건(4.9%)·중립 80,998건(92.7%)·부정 2,140건(2.4%)이며, 중립 비중이 뚜렷하게 높습니다. 성향 지수는 종합 14.8(중도 균형)입니다.
After a May that delivered The Mandalorian and Grogu, Obsession, Backrooms, and The Devil Wears Prada 2, June has giant shoes to fill.
For nearly a decade, India's carmakers chased the sport utility vehicle (SUV) dream.Higher margins, aspirational buyers and a growing appetite for larger vehicles pushed manufacturers to flood showrooms with sport utility vehicles and compact SUVs, steadily relegating hatchbacks — once the backbone of India's passenger vehicle market — to the sidelines.Also Read: Tata Motors PV launches next-gen Tiago from Rs 4.69 lakh, Tiago.ev from Rs 6.99 lakh with lifetime battery warrantyThe strategy worked. Utility vehicles now account for well over half of all passenger vehicle sales in India and contributed nearly two-thirds of the 4.3 million vehicles sold in FY25.But as economic pressures mount, vehicle prices climb and first-time buyers struggle to enter the market, India's biggest automakers are beginning to acknowledge a reality they may have overlooked: the country's next wave of growth could come from the very segment they left behind.From Maruti Suzuki's renewed commitment to entry-level cars to Tata Motors' ambitious reinvention of the Tiago, hatchbacks are once again finding themselves at the centre of boardroom conversations.Also Read: Small cars strike back: Maruti Suzuki bets on mass mobility while costs squeeze fourth quarter profitsAnd this time, carmakers are betting that small cars no longer have to feel small.The forgotten customerThe shift is being driven by a growing recognition that India's passenger vehicle market cannot rely indefinitely on premiumisation.While SUVs have transformed the industry's revenue mix, they have also pushed average vehicle prices steadily higher, making car ownership increasingly difficult for millions of households.Maruti Suzuki Chairman R. C. Bhargava recently signalled the company's intent to rebalance its portfolio."We are planning to develop both small cars and SUVs. The small car market is growing. India is a country where small cars have a long-term future," Bhargava said.The comments mark a notable shift in tone from an industry that spent years focusing on larger and more expensive vehicles.For Maruti, which built its dominance on models such as the Alto, WagonR and Swift, the renewed emphasis reflects confidence that affordability will remain central to India's mobility story."A large part of the population… need small cars" for basic mobility, Bhargava said.Industry analysts say the opportunity remains substantial."In the small cars segment, there is a much bigger conversion pool that carmakers can navigate. Hence, there is this renewed push towards small cars and that segment," said Hemal Thakkar, Senior Director, Crisil Intelligence."India is a price sensitive market and hence, small cars will stay and customers are looking for upgrades within vehicles. If carmakers can provide small cars with new features and upgrades, then there will be more customers for the small car space," he added.Making hatchbacks aspirational againIf Maruti is signalling a strategic return to small cars, Tata Motors is attempting something more ambitious — making hatchbacks desirable again.The company this week unveiled the next-generation Tiago and Tiago.ev, positioning them as technology-rich products aimed at reviving a segment many in the industry had effectively written off."Hatchbacks remain the gateway to personal mobility for millions of Indian families and yet, for far too long, this segment received scarce attention from the industry, when it genuinely deserved far more," said Shailesh Chandra, Managing Director and CEO, Tata Motors Passenger Vehicles.Calling the new Tiago "not an evolution but a full reinvention", Chandra said the vehicle brings substantially upgraded design, connected technologies and safety features that were once largely reserved for more expensive categories.The next-generation Tiago gets a 10.25-inch touchscreen infotainment system, wireless smartphone connectivity, a dual-screen dashboard, wireless charging and a segment-first 360-degree surround-view camera."The feeling of wow shouldn't be reserved for expensive cars," Chandra said."Today hatchback customers want far more than mobility, they want design, tech, safety and pride of ownership. A car they want to flaunt."The company has also positioned the Tiago.ev as an affordable electric mobility option, offering a lifetime battery warranty and fast-charging capability that can add up to 100 kilometres of range in 18 minutes."Tiago will make EV more accessible," Chandra said.Why affordability is back in focusThe renewed interest in hatchbacks comes as affordability re-emerges as a key concern across the industry.Vehicle prices have risen sharply in recent years because of stricter regulations, higher commodity costs and the addition of new safety and technology features.That has increasingly pushed first-time buyers out of the market.According to Srikumar Krishnamurthy, Senior Vice President and Co-Group Head, Corporate Ratings, ICRA Limited, hatchbacks continue to play a critical role in expanding the customer base."Hatchbacks remain a preferred segment, particularly for first-time buyers and households seeking a second vehicle, as affordability and comfort are key purchase considerations," he said."From an original equipment perspective, a presence across segments also helps improve reach, especially in Tier 2/3 cities."Krishnamurthy added that rising vehicle costs are forcing manufacturers to revisit their entry-level offerings."With input costs rising and vehicle prices expected to increase further, affordability is becoming even more important, especially in the mass-market segment. In response, OEs are looking to reposition entry-level hatchbacks and compact SUVs through new launches and refreshed variants that offer a stronger value proposition to consumers."Beyond SUVsThe industry's renewed focus on hatchbacks does not mean SUVs are going away.Far from it.Utility vehicles remain India's dominant passenger vehicle category and continue to drive growth and profitability for manufacturers.What is changing, however, is the recognition that growth cannot come solely from moving customers up the value chain.To sustain volumes, carmakers need to bring new buyers into the market.That is especially important as India adds millions of young consumers entering the workforce, many of whom are seeking their first personal vehicle but remain highly sensitive to price.Affordable electric hatchbacks could further strengthen the segment's appeal in coming years."Affordable EV hatchbacks could become an attractive proposition as charging infrastructure improves, range-anxiety concerns ease, and the financing environment becomes more supportive," Krishnamurthy said.For much of the past decade, India's hatchbacks were treated as yesterday's story while SUVs became the industry's obsession.Now, as automakers search for their next growth engine, the segment that once put millions of Indians behind the wheel is beginning to look relevant again.The future of India's auto market may still be taller, bolder and SUV-shaped. But increasingly, carmakers are recognising that the road to scale may once again begin with a hatchback.
La película de miedo sobre espacios liminales, realizada por un director con 20 años, y ‘Obsession’ marcan un hito en la taquilla y en el modo de encarar el cine
Avoiding vulnerability comes with ghastly consequences.
Backrooms, by 20-year-old filmmaker Kane Parsons, is set in a mysterious maze of abandoned offices. Curry Barker, 26, tells a horror story about consent and male loneliness in Obsession.
This weekend, ’Backrooms’ and ‘Obsession’ are expected to continue record-breaking box office runs.
Plus: John Bolton agrees to plead guilty in the classified documents case, a flesh-eating screwworm parasite turns up in Texas, and God loves energy drinks.
You can’t help smiling — with a slightly arched brow — at the streamers’ recent obsession with live events. Television started out as a live medium, after all — virtually all programs were live in the early, golden age of the small screen before the use of film, and then videotape, allowed for more flexibility. […]
“Backrooms” started as one of the internet’s creepiest images — but it has since exploded into a massive online horror phenomenon, a Hollywood movie, and a strange obsession with something called liminal spaces. Empty hallways. Abandoned malls. Indoor pools at night. These images are suddenly everywhere online, and millions of people can’t stop looking at...
Successful jokes are thin on the ground in the musty sixth installment of the once-popular parody franchise, taking aim at everything from Scream to Sinners The Scary Movie series has always depended on timing. Not necessarily in its gagcraft, which has oscillated between occasional sharp jabs and many beyond-broad blows, but in its position on the release schedule. This was especially true of the first installment, which arrived in theaters just a few months after the 2000 release of Scream 3, capitalizing on the new wave of slashers while holding a spoofy Viking funeral for that just-concluded trilogy. A quarter of a century later, horror endures and there’s no reason to think spoofs can’t endure in parallel along with it as Backrooms and Obsession have ruled the early summer box office. The sixth Scary Movie, repeating the first movie’s unnumbered title as a simultaneous nod to and act of reboot branding, is releasing too soon after those surprise smashes to incorporate them into its litany of gags (not even some last-minute ADR references, guys?). It’s stuck far further back, doing a composite of the fifth and sixth Scream movies from 2022 and 2023, respectively. On the other hand, with the recent Scream 7 largely abdicating its self-referentiality entirely, Scary Movie arrives as the last horror-comedy holding the torch for in-jokes that its self-serious cousin couldn’t bother with. Continue reading...
Progressive obsessions have warped the state
Tom Quinn landed in the U.K. for a special talk at SXSW London less than two weeks after Neon claimed its seventh consecutive Palme d’Or in Cannes, this time thanks to Cristian Mungiu’s “Fjord.” The exec — whose indie distributor marks only its 10th birthday next year — said the ongoing run of wins was “extraordinary,” but […]
A pair of YouTuber-helmed horror films scored big at the box office, and others could follow as Hollywood turns to creators.
DÉCRYPTAGE - Le président américain ne cesse de répéter ses mensonges à propos de sa défaite face au démocrate Joe Biden. Derrière cette obsession se cache une stratégie bien rodée en vue des élections de mi-mandat.
Dans une salle, "on ressent les émotions ensemble", expose le réalisateur américain, invité de France Inter. Il propose le 10 juin en salles, son dernier film, "Disclosure Day", à traduire par "le jour de la révélation". Il y confronte les gens à son obsession : nous ne sommes pas seuls dans l'univers.
The 30th edition of South Korea's premier genre festival, running July 2-12, has unveiled a main competition that also includes the Rupert Grint-starring horror 'Nightborn' and 'NIKO,' starring Tiffany Young.
Filmmaker Natalie Erika James and lead Midori Francis unpack why horror is the perfect genre to address the topics of disordered eating, addiction and obsession: “Horror is amazing at externalizing what's internal.”
Critic Emma Jones tells us why North Macedonian production "DJ Ahmet", starring first-time actors, is a gem of an independent movie and proof that the small country punches well above its weight when it comes to cinema. We also discuss unsettling thriller "The Plague", starring Joel Edgerton, as a group of teenage boys at a swimming camp prompts comparisons with "Lord of The Flies"-style dynamics. Plus, body horror "Saccharine" explores contemporary obsessions with weight loss and body image, and the "Scary Movie" horror spoof franchise returns for a sixth outing, 26 years after its Y2K debut.
Henry Nowak's murder is an example of what is happening to the West on a mass scale due to Third World migration.
LOS ANGELES, June 3 — The multi-million-dollar openings of indie horror flicks Obsession and Backrooms have Hollyw...