Kambua and pastor husband dazzle at wedding in lovely brown outfits
Jeremy Kiuna and Stephanie Githinji's lavish wedding dazzled, officiated by Bishop Masinde, with gospel stars Kambua and Jackson Mathu stunning in matching outfits.

"LOVELY" · 총 22건
필터 보기현재 지수
49.4
0 = 부정 우세
50 = 중립
100 = 긍정 우세
최근 7일 기준 90,359건을 분석한 결과, 뉴스 심리지수는 49.4(균형)입니다. 긍정 11,006건(12.2%)·중립 65,328건(72.3%)·부정 14,025건(15.5%)이며, 중립 비중이 뚜렷하게 높습니다. 성향 지수는 종합 20.5(보수 경향)입니다.
Jeremy Kiuna and Stephanie Githinji's lavish wedding dazzled, officiated by Bishop Masinde, with gospel stars Kambua and Jackson Mathu stunning in matching outfits.

Royal sisters groove with Bad Bunny: Live performance delights fans Widly loved for their spirit, royals mesmerise fans at pubic outings and royal engagements, grabbing every chance to shine with lovely gestures amid the crowds. Known for their love fro music, the two royal...

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Arjun Tendulkar won hearts in the Mumbai T20 League after checking on a young fan accidentally hit on the head by one of his sixes. He later gifted the child a signed match ball. Arjun also starred on the field, taking 3/11 and scoring an unbeaten 66 as Arcs Andheri cruised to a nine-wicket win over Bandra Blasters.
Jeremy Kiuna, son of Lady Bishop Kathy Kiuna, wed Stephanie Githinji in a private ceremony adorned with wisdom from Bishop JB Masinde. He gifted them a Bible.
Winnie Nyamigori's recent gym photos with husband Prince Indah have fans buzzing. Their strong marriage and fitness journey inspire many amidst speculation.
Students relieved and happy after sitting test with ‘terrific’ essay options and variety in reading comprehensions
Reward of €1,000 offered by supporter of the My Lovely Horse Rescue group
Animal rescue charity My Lovely Horse said that the horse went missing on Friday night.
Wetter weather expected to bring surge of slugs out of hiding, just as strawberries experience bumper early crop Entomologists in England are expecting a surge in slugs coming out of hiding to munch the nation’s strawberry plants after weeks of sun followed by wetter weather has caused a bumper crop. The Royal Horticultural Society is bracing for a surge in inquiries from its 625,000 members, who write in with their garden gripes. Workers at the RHS have also noticed a spate of slugs in the charity’s gardens, including Wisley in Surrey. Slugs love a young, vulnerable seedling, so transplant sturdy plantlets grown in pots. These can then be given some protection with cloches. The leaf-munching creatures are excellent for compost heaps as they get rid of dead and decaying matter, helping turn your waste into lovely compost. So why not go out with a torch on a mild evening while the weather is damp, and hand pick slugs into a container? These can then be placed either into a compost heap, where they can feast on all your garden waste, or near less vulnerable plants. Some gardeners do strategic planting, making sure to put plants slugs find delicious near their favourite plants so these are eaten instead. Why not dig a pond to encourage frogs, which will do slug elimination for you without the guilt of setting down poison pellets or drowning them in beer. It’s better for the ecosystem, too. Encourage birds with a bird feeder – especially during spring when the young can be fed with a juicy snail. Raking over soil and removing fallen leaves during winter can allow birds to eat slug eggs that have been exposed. Continue reading...
In Chicago, the $850 million Obama Presidential Center aims to remake a neighborhood with a 19.3-acre community hub and a brooding 225-foot museum.
My eyes have seen the PC gaming promised land, and it's a beautifully bright world without a shred of blurriness. It's warm, it looks lovely, and it's impeccably sharp. Also, it's expensive as hell. I've dipped my toe in this world by testing a pre-production version of the upcoming Asus ROG Strix Scar 18, which […]
Probe into attack on Abhishek Banerjee in Sonarpur widens as five are held, alleged links to former TMC MLA Lovely Maitra spark TMC BJP clash over political role in violence
In 1987, Richard Greenhill, a British photographer who was fascinated by (but had no actual training in) robotics, decided he wanted to build a life-size humanoid that could do useful things, like carrying luggage. He was working at a startup called Intergalactic Robots, but he couldn’t convince anyone there to build such a machine, so he set about building one himself, in his attic. To help with his project, he organized a weekly get-together of a dozen or so like-minded folks. Every Wednesday night, his wife, Sally, would make a big pot of spaghetti, and the group would tinker with components scavenged from old printers and picked up from junkyards. They called themselves the Shadow Group. They eventually constructed several different robots, but their main project was the two-legged Shadow Walker. In 1987, photographer Richard Greenhill organized a weekly gathering of DIY enthusiasts to work on projects in his attic, including the Shadow Walker. Richard Greenhill and David Buckley Greenhill’s friend David Buckley, a robotics and animatronics expert he’d met at Intergalactic, sketched out a rough design based on medical textbooks of human bone structure and muscle movement. The robot’s skeleton, made of maple, was greatly simplified—only one bone in the lower leg and a single wide toe on each foot. The ankle’s double-axis design allowed for two degrees of movement. The knee had no complicating kneecap. Greenhill didn’t want the robot to use motors, so its movement was controlled using compressed air to extend and contract 28 “air-muscles”—his version of a McKibben muscle, invented in the 1950s to mimic musculature with pneumatics. The muscles were connected to the bones across eight joints (hips, knees, ankles, toes), which provided 12 degrees of freedom. RELATED: The Short, Strange Life of the First Friendly Robot The robot’s headless torso held the control valves, electronics, and computer interfaces. It stood 168 centimeters tall and 46 cm wide and weighed about 38 kilograms. The group managed to get the robot to stand up reliably and balance itself; it could even regain its center if pushed a little. But walking turned out to be more of a challenge. Rich Walker joined the group as a teenager and began writing software to get the robot to stand. He was particularly interested in using neural networks to solve balancing problems, although he ran into a number of hardware obstacles, including the unreliability of the sensors and the valves, and the robot’s overall fragility. Over time, Walker and the team developed a standard library of routines to control the robot. Walker wrote a detailed description of the Shadow Walker in 1999, which is available on David Buckley’s website. The 1st International Robot Olympics By the time the Shadow Group began developing Shadow Walker, engineers in academia and industry had been working on robotics for several decades. The world’s first industrial robot, the Unimate, debuted in 1961, and in 1967 Donald Michie and others began building a series of Freddy robots to investigate machine intelligence. The IEEE created its first dedicated robotics organization in 1984 when it established the IEEE Robotics and Automation Council, which became the IEEE Robotics and Automation Society in 1987. Also in 1987, the nonprofit International Federation of Robotics was established to promote research, development, use, and cooperation in the field of robotics. As Shadow Walker pushed the limits for a DIY humanoid robot, industrial humanoids were also gaining ground. In 1986, Honda began working on its experimental (E-series) and later the prototype (P-series) humanoid robots, finally unveiling the P2 in 1996. The P2 stood 183 cm tall and weighed 210 kg. It was the first humanoid capable of stable, autonomous walking. This work eventually led to the development of the groundbreaking ASIMO. Greenhill’s friend, roboticist David Buckley, consulted medical textbooks to create Shadow Walker’s humanoid design.Richard Greenhill and David Buckley In the late 1980s, the public was both fascinated and horrified by the potential of robots. Businesses saw robots as a way to increase productivity, while workers worried they would take their jobs. Children viewed them as wondrous toys, while people with disabilities embraced them as tools of liberation. Military experts hoped robots would fight wars without endangering human soldiers, while politicians pondered if robots might eventually get to vote. Philosophers thought robots could challenge our notions of intelligence (and stupidity), while the religious struggled with concerns about the human race in a robot-dominated future. Shadow Walker’s simplified anatomy included only one bone in the lower leg and a single wide toe on each foot.Science Museum Group Peter Mowforth, cofounder of the Turing Institute in Glasgow, noted these disparate visions for robots when he announced the 1st International Robot Olympics, to be held in 27 and 28 September 1990 and hosted by the Turing Institute and the University of Strathclyde. The Olympics would round up the world’s best robots and showcase them head-to-head. Mowforth himself thought all of the competing visions of robots were overblown. Steeped in machine learning research and robotics development, he knew firsthand the limitations of the state of the art: Robots rarely worked as intended, easily broke down, and glitched over seemingly trivial problems. He envisioned the Robot Olympics as a testbed to assess what the latest generation of robots could and could not do. At the 1990 Robot Olympics, held in Glasgow, Shadow Walker wore pants to conceal its pneumatic “air-muscles” from competitors.Adam Hart-Davis/Science Source The call for participation was wide open. Instead of having predetermined categories of competition, the organizers opted to see who applied to compete and then group them based on their claimed capabilities. In addition to picking the winners of individual events, the judges would select an overall Olympic champion based on the quality of the hardware, the sophistication of behavior, and novelty. Other prizes were given for young competitors, technologies that showed commercial potential, and design. In the end, more than 50 robots were entered, from a mix of universities, industry, and hobbyist groups from Canada, France, India, Japan, Mexico, the Soviet Union, the United States, the United Kingdom, and Yugoslavia. There were plenty of disappointments. Trolleyman, a golf-cart-like wheeled robot, suffered a power failure while carrying the opening Olympic torch through the streets of Glasgow. The pile rug in the arena tripped up many robots that had been trained only on flat, smooth floors. David Buckley later concluded that the events were too difficult, and that the Olympics didn’t push development forward. Of course, there were winners. In a surprise triumph for vintage technology, the fully mechanical 19th-century Japanese Archer from the Museum of Automata in York, England, won gold in javelin, beating out competitors more than 100 years its junior. The overall Olympic Champion was Yamabico, Shoji Suzuki’s entry from the University of Tsukuba, in Japan, which won bronze in obstacle avoidance and gold in wall following, but was disqualified in the talking category for not speaking English. The Shadow Group had high hopes for Shadow Walker. Unfortunately, though, it failed to take a step, and the biped race was won by the Cardiff University Biped. Shadow Walker now resides in the collections of the Science Museum in London. The Legacy of Shadow Walker In 1997, a paying customer in search of a robotic leg compelled the Shadow Group to get serious and become a registered company. Shadow Robot is now Britain’s oldest robotics company. Rich Walker, who had left the Shadow Group to earn a B.A. in mathematics and a diploma in computer science at the University of Cambridge, joined Shadow Robot in 1999 as technical director. Today he’s the director of the company. Shadow Robot specializes in durable robot hands rather than walking robots. But the focus on hands is also a legacy of the Shadow Group. Walker remembers that the Shadow Group’s first humanoid hand in the late 1990s was impressive simply for being able to pick up a pint of beer (a smooth-sided, thin-walled glass). Today, Shadow Robot’s hands are testbeds for dexterity. Gone are the pneumatic muscles, replaced by actuators that move each finger with precision. The classic model contains 20 motors, allowing for abductive and adductive movement with 24 degrees of freedom. Shadow Walker’s operator wore a data suit that captured his movements and allowed the robot to copy them.Richard Greenhill In a recent blog post, Sejal Parsotomo, senior marketing executive at Shadow Robot, wrote that while humanoid robots are great for public relations, specialized dexterity is key for success: A robot that can walk into your factory may be impressive, but a robot that can reliably manipulate objects is transformative. In its struggles to take more than a few steps, the Shadow Walker showed the inherent difficulty that robots had in mastering even low-level skills. In August 2025, Beijing hosted the World Humanoid Robot Games. Competing in sports such as gymnastics, soccer, and track events, as well as more “useful” tasks like hotel cleaning and sorting medicine, these robots could literally have run circles around the competitors in the first Robot Olympics 35 years earlier. And yet, there is still so much work needed in order for robots to navigate the human-built environment. Despite the astonishing progress, we’re still not all that close to actually useful humanoid robots. Part of a continuing series looking at historical artifacts that embrace the boundless potential of technology. An abridged version of this article appears in the June 2026 print issue as “Learning to Walk.” References Richard Greenhill gives an overview of his life and the founding of the Shadow Group in a post on Shadow Robot’s corporate website. David Buckley has a compilation of resources on the Shadow Biped Walker, including specifications from the 1999 iteration and a brochure from the 1st International Robot Olympics. There is coverage of the Robot Olympics worthy of a gossip sheet in La Repubblica and lovely footage of the competition in this TV-am interview of Peter Mowforth by Lorraine Kelly.
Abhishek Banerjee sustained minor injuries after he was attacked with stones and eggs in Sonarpur, where he went to meet families of post-poll violence victims.
Police have arrested at least five people in connection with the assault on Abhishek Banerjee in Sonarpur on Saturday.
This is access-all-areas viewing, with this four-parter talking at length to Nadal, his wife, his coaches and opponents. But that doesn’t necessarily make it insightful… There’s a lovely sequence in the second episode of this four-part documentary about the career of Spain’s greatest ever tennis player. It’s 2007 and Roger Federer and Rafa Nadal are walking on to Wimbledon’s Centre Court to play the first of the many finals they would contest. Federer is poised and slightly smug; hair flopping perfectly over his headband, dressed in an immaculate white blazer. Nadal trails behind him, wearing a vest and baggy shorts, shaggy hair flowing and eyes wild, looking for all the world like a beautiful young caveman. It captures his initial appeal perfectly: in his early years, Nadal was elemental, athletic beyond description and impossibly charismatic: equal parts tennis player, action hero and acrobat. It feels like our sporting legends are increasingly reluctant to leave the stage. Lionel Messi (38) and Cristiano Ronaldo (41) will both be at this summer’s football World Cup. One of England’s greatest ever cricketers, James Anderson, turns 44 this year and is still plying his trade in the County Championship. Becoming unsurpassably brilliant at something requires laser focus, but unlike music or acting or writing, there’s a definitive best before date. And once that date has passed, a big, scary void looms. If the miracles of modern medicine allow you to continue, it’s clearly incredibly hard to walk away. Rafa is on Netflix Continue reading...
Joel de Mowbray’s salvage scheme began as a small milk float converted into a logging vehicle – now he’s part of Tipping Point East, a massive site designed to divert valuable waste materials to builders that need it Joel de Mowbray reached breaking point with UK construction in south London in 2020. He was working on a lovely building project, part of Lambeth council’s scheme to make streets more pedestrian-friendly. De Mowbray was installing a public wooden seating area in an underused stretch of street. “The council were doing treeworks the entire time we were building, felling trees right next to us,” he says. “But we had to go to Ashdown Forest for our supplies. That felt bonkers to me: they were creating the exact material we needed next to our site.” Continue reading...
PC, Xbox, PlayStation 5; IO Interactive The stealth masters behind Hitman go loud for this game about Bond’s brilliant beginnings Given that we’ve not had a great James Bond video game in decades – or any Bond film at all in five years – there’s a lot of pressure on 007 First Light to reinvigorate a British cinematic hero. But developer IO Interactive has been auditioning for this role for some time. It’s there in the globetrotting nature of its Hitman assassination games, starring a besuited hero who knows how to turn a soiree to his deadly purpose; then there’s the developer’s evident eye for corporate opulence and brutalist architecture. Even their in-house game engine, Glacier, sounds like a secret codename cooked up in a Bond villain’s lair. All it would take is a slight shift in Hitman’s moral compass – more old boys club, fewer old boys clubbed – to turn IO’s familiar series into a Bond game with minimal fuss. 007 First Light refuses that easy route. We join young Bond in his pre-00 days, as a petulant, belligerent rule-breaking trainee. Actor Patrick Gibson begins as a cookie-cutter insubordinate, but warms to the role once he’s bouncing off M (herself a green leader looking to make her mark), and an enjoyably urbane Q who drops the frustrated quartermaster routine and introduces Bond to the wonders of vinyl. A scene where he teaches our agent to tie a bow tie is a perfect bit of prequelcraft: arriving at an iconic look through a lovely character touch. Continue reading...
Trumpeter Robyn Steward thought clubs weren’t for her until she encountered Fabric’s accessible upgrade – the new home for her radically inclusive, space-themed night Until May last year, trumpeter Robyn Steward had never been in a nightclub space, save for playing trumpet with Lancaster duo the Lovely Eggs at London’s Heaven, and a few nights in a university hall that doubled as a lunch room. Steward is autistic and has multiple disabilities including cerebral palsy. “Sometimes strobes can trigger migraines for me, or feel a bit overwhelming,” she says. “I feel like my body’s a bit lost.” When she wanted to see a gig at Fabric nightclub in London, she asked a friend to go with her as a carer. “I was amazed at how accessible it was,” she says. Subtle touches integrate multiple access needs into the space. “The mezzanine level meant that I didn’t have the strobes in my face. There was a rail that I could hold on to, and there was seating opposite the balcony so I could sit and watch the gig.” She also noticed Fabric’s recently upgraded sensory dancefloor, which deliberately transforms sound into tactile vibrations to better cater for the hearing impaired. “I could see that the lights were strobing and everything, but I felt safe,” Steward says. Continue reading...