🇬🇧 영국 · "SOUND" · 총 72건
필터 보기현재 지수
50.0
0 = 부정 우세
50 = 중립
100 = 긍정 우세
최근 7일 기준 3,888건을 분석한 결과, 뉴스 심리지수는 50.0(균형)입니다. 긍정 1건(0.0%)·중립 3,886건(99.9%)·부정 1건(0.0%)이며, 중립 비중이 뚜렷하게 높습니다. 성향 지수는 종합 2.0(중도 균형)입니다.
The sound of a piano drifts from the open French doors of the Brenners Park Hotel as old ladies clutching parasols tiptoe around its exquisite gardens.
Not a football superfan? Try these easy conversation-starters to sound like an expert.
The drowning deaths at Texas's Camp Mystic last year, as well reports of boat accidents and sexual abuse horrors have officials sounding the alarm as kids prepare for summer camps this year.
The footage, filmed in Southampton near the scene of Mr Nowak's murder, was taken by a neighbour after they were startled by the sound of 'loud gunshots' on October 18, 2022.
When Marc Payoyo was roused early from his slumbers, it was not the sultry night that had disturbed his sleep but the worried-sounding voices outside his open window.
Hoddinott Hall, Cardiff Works about infatuation and deep feeling were fitting choices with which the Ryan Bancroft bid a celebratory farewell to the BBC National Orchestra of Wales Back in 2018, Ryan Bancroft jumped in as a last-minute replacement for a BBC National Orchestra of Wales tour. By September 2020, the US-born musician was principal conductor. In his six-year tenure, he has always been a vibrant and quietly forceful presence on the podium, amply demonstrated in this, his last Cardiff concert in the role. He opened with Stravinsky’s Song of the Nightingale, the symphonic poem fashioned from music originally an opera and ultimately a ballet choreographed by Balanchine. Hans Christian Andersen’s story, set in imperial China, allowed Stravinsky to conjure exotic sounds, including gong and celeste. But it’s the poignancy of the emperor’s fate, symbolised by his infatuation first with a real nightingale – made suitably enchanting by Matthew Featherstone’s flute – who is then usurped in his affection by a mere mechanical version, that colours the score. Continue reading...
Haunting the Black Air by Anthony Joseph; Selected Poems by Leontia Flynn; Sparrow on the Rooftop by Rachel Long; You Must Live: New Poetry from Palestine, edited by Jorie Graham; Melete by Jennifer Lee Tsai; Somebody Should Have Pressed Record by Galia Admoni Haunting the Black Air by Anthony Joseph (Bloomsbury, £12.99) Joseph’s follow-up to the TS Eliot prize-winning Sonnets for Albert sees his poetic approach become more radical. He pays homage to avant garde writers such as Will Alexander and Nathaniel Mackey, while exploring “Nostalgia, mostly grief, / a haunting sound – / the frequency of some / magnetic feeling.” That makes for challenging syntax on first reading the poems. Persist, and Joseph’s unabashed lyricism shines through, finding beauty on dancefloors, city streets and in Trinidadian landscapes: “the way music fills the room, how we embrace until / we become flare bright, light as the white refraction / of the sun upon the summit of hills.” Selected Poems by Leontia Flynn (Carcanet, £14.99) She was a Next Generation poet and Forward prize winner; it’s a shock to remember that Flynn has been publishing for more than 20 years, so fresh do her poems remain. This assembly is a glorious reintroduction to her mordant wit, imaginative image-making and unerring ability to puncture pretension. Letter to Friends from 2011 is a brilliant, Auden-esque dissection of the early 21st century, worth a library of political analyses: “daily threats brought to our Way of Life / by man-made imminent apocalypse / though neither really outweighs private grief”. There are pleasures on every page. Continue reading...
Full of handcrafted care and the rootsy soul of her country origins, this gently elated song is a reminder of what fans love about Swift … and the film series Taylor Swift does not fear a challenge. She’s broken records then broken those records; taken Grammy snubs as a sign she just has to work harder; mounted probably the most physically exhausting tour of all time. But in writing a song for Toy Story’s cowgirl Jessie, she’s set herself a deranged task: how could anyone outdo Randy Newman’s devastating When She Loved Me, Jessie’s song about being abandoned by her owner, Emily, from Toy Story 2? Newman’s songs for the Disney Pixar series are some of the greatest film soundtrack work of all time, and Swift knows it. In a post about her song, she acknowledged the “incomparable” Newman: “You created the Toy Story musical world, and we are lucky to get to live in it.” Her own ventures into soundtrack work have never had much staying power (beyond Zayn collab I Don’t Wanna Live Forever from Fifty Shades Darker). Continue reading...
(Matador) Better known as a formidable free jazz saxophonist, these thrashing songs about the artist’s Tennessee childhood home share a similar genre-pushing intensity On opening track OCD, Zoh Amba stops a twinkling, rootsy guitar melody and starts over, searching for the right way to tell the story of a boy diagnosed with “dreamin’ all the time”. Amba lands on a queasy combination of empathy and conspiracy (“said that mind needs fixin’ / gunna end up like everybody”), churned up by thrashing, violent strumming – the kind that causes blisters and wrecked strings. These cryptic postcards from Amba’s home town of Kingsport, Tennessee describe childhood memories with fresh eyes: they left at 17 and returned only recently, now in their mid-20s. Blending gruff reality with poetic licence, Eyes Full is a rugged, experimental country rock record that feels deeply lived in, despite representing an abrupt change in sound: Amba is best known as a prodigious free jazz saxophonist. Continue reading...
(Felt) From birdsong to pool balls, this Lithuanian musician – a graduate of Copenhagen’s buzzy Rhythmic Music Conservatory – mixes beguiling found sounds into left-field pop and modern classical Copenhagen’s Rhythmic Music Conservatory has become associated with a specific gauzy, esoteric sound, which draws on, and reshapes, classical instrumentation and pop songwriting. Think ML Buch, Astrid Sonne and Erika de Casier, all of whom have graduated from the institution since 2019. Following in their footsteps is Lithuanian musician Gintė Preisaitė, who works with piano, voice and electronics to create atmospheric, unsettling ambient compositions. Instruments of Forgetting and the Singing Bone, Preisaitė’s first solo release under her own name, draws on her background in improvisational techniques and composing for large ensembles. With additional instrumentation from a cluster of collaborators – strings, woodwind, tape – she presents eight tracks that build in intensity through her collage-like assembling of strange sounds and effects. Continue reading...
Dinnerstein/Baroklyn (Naïve) With a refreshingly organic approach, the US pianist and her string ensemble revitalise the modern minimalist master’s score for The Hours and his Tirol Concerto Getting ahead of next year’s 90th birthday celebrations, American pianist Simone Dinnerstein presents two works by Philip Glass, performing alongside her own string ensemble. Baroklyn – the name conflates her home borough of Brooklyn and the baroque sensibilities of JS Bach – take a far-from-mechanical approach to the composer’s minimalist tics. Their aim is to emulate the passage of time like sand through an hourglass (hence the title) rather than chopping the music into segments like the hands of a clock. And it works. Arranged by Michael Riesman, Suite from The Hours splices Glass’s score for Stephen Daldry’s film into an almost symphonic three-movement work. The story’s pain and poetry is encapsulated in an immersive score for piano, strings, harp and celesta, with Dinnerstein raising the emotional stakes by adopting considerably slower tempi than the movie soundtrack. Continue reading...
(Atlantic) After scrapping an album and starting anew, Lizzo still sounds lost amid these weak genre-hopping songs. Perhaps the zeitgeist has simply left her behind Just over a year ago, Lizzo appeared on Saturday Night Live, announcing a new album called Love in Real Life in grandstanding style. Wielding an electric guitar, clad in a Trump-baiting T-shirt that read Tariffied, she performed its title track and two other new songs, Still Bad and Don’t Make Me Love U. As with her appearance earlier the same week on a late night talkshow – during which she ran into the audience to high-five fans who were yelling “we love you Lizzo!” – it looked very much like a defiant comeback, fit to drag her out of the controversy that erupted at the end of her hugely successful 2023 world tour. Three former backing dancers and a costume designer filed lawsuits against the singer alleging harassment and discrimination: damaging claims given how Lizzo’s songs have preached a message of inclusivity, body positivity and self-confidence. Some of the allegations were dismissed by a judge but others are ongoing; Lizzo has refused to settle out of court, saying: “I’m fighting the case because I know that it’s not true.” But the Love in Real Life single, a pivot towards rock that owed a little to Tom Petty’s American Girls – or the Strokes’ American Girls-indebted Last Nite if you prefer – failed to make the charts, a far cry from the period between 2018 and 2022 when Lizzo’s singles seemed to go multi-platinum as a matter of course. The same fate befell Still Bad, a track much more in the vein of her big hits, prompting a rethink. The album was pulled, Lizzo apparently taking control of her own destiny – “I need to do shit my way”. A mixtape that returned her more-or-less to where she started, before pop stardom came calling – punchy hip-hop, albeit tricked out with guest appearances from Doja Cat and SZA – appeared in its place: My Face Hurts from Smiling received mixed reviews and underwhelming streaming figures. Continue reading...
Veteran broadcaster makes ‘one of hardest decisions of my entire life’ weeks after revealing spread of cancer to spine The veteran broadcaster Bob Harris has announced he is stepping down from BBC Radio 2 after 30 years so he can focus on “getting well again”, six weeks after revealing his prostate cancer had spread into his upper spine. The 80-year-old host of The Country Show and Sounds of the 70s, known as “Whispering” Bob Harris, said his health problems were forcing him to step down and that it had been “one of the hardest decisions of my entire life”. Continue reading...
Pulp Fiction director writes in Sight and Sound that ‘since the pandemic … it seems almost impossible for a new movie to come out that I don’t pick to death’ Quentin Tarantino has criticised contemporary Hollywood, calling it “a flavourless sausage factory”. Writing in Sight and Sound magazine, Tarantino said that “since the pandemic … it seems almost impossible for a new movie to come out that I don’t pick to death”. He added: “Flaws, implausibilities, audience pandering, miscast performers or just plain stupid shit usually torpedoes every new movie coming out of the flavourless sausage factory that used to call itself Hollywood.” Continue reading...
King Street Social Club, North Shields Teeing up a forthcoming solo album, the rapper doesn’t reheat his old Beastie Boys sound, instead throwing down everything from ballads to Kraftwerk references Adam Yauch AKA MCA’s death in 2012 from cancer aged 47 effectively ended the stellar recording and performing career of hip-hop trio Beastie Boys. Since then, bandmates Adam “Ad-Rock” Horovitz and Michael “Mike D” Diamond have made few public appearances but the latter is now back in the fray. His first appearance on a British stage in almost 20 years is in, of all places, a bingo hall in the north east, where he surely becomes the first legendary rapper to yell: “Wassup, North Shields?!” With turntables on stage, hip-hop clobber in the audience, a six-piece band in matching outfits and bingo tables at the back, this unlikely show feels simultaneously low-key and an event. Mike D is backed by 5D – who include his sons and are more than half his 60 years – whose slamming grooves and crunching guitars aren’t Beastie Boys reheated, but certainly have the same inimitable joie de vivre. Continue reading...
Smith Square Hall, London This resourceful semi-staging blended choral collective Idrîsî Ensemble’s ancient chants with Iestyn Davies and Figure’s Vivaldi. Vespers. The word conjures an intoxicating aura of twilight and incense. Liturgically, it’s an opportunity for Christians to sanctify the day’s end as the sun is setting, but its roots are deeper, stretching back to first-century Judaism. Its name, from the Greek Hesperus, hints at darker pagan origins. This semi-staged concert located Vespers as it might have been heard in Vivaldi’s Venice, within the broader and more ancient cultures of the Mediterranean. Entering to the sound of bells, the audience was seated either side of a raised platform. At one end were string players from Figure, a historical performance orchestra, crisply led by Frederick Waxman. At the other was countertenor Iestyn Davies, a troubled figure staring at a laptop and lit by a single candle. As he donned headphones, an otherworldly Kyrie drifted down from a balcony. The voices were Idrîsî Ensemble, a choral collective specialising in the performance of Old Roman chant, the music of the early Christian Church in Rome. It was a haunting sound, open throated and ornate, its vinegary harmonies peppered with ululating decorations. Continue reading...
Australian businessman Dick Smith questioned how the government will sustain the country's booming population.
Emma-Lee Moss, AKA singer-songwriter Emmy the Great, has written a memoir rooted in her love of Hong Kong’s east-meets-west pop. She picks her favourite tracks Emma-Lee Moss, a singer-songwriter who released four albums as Emmy the Great, was born in Hong Kong to an English father and Hongkonger mother. She lived there until she was 11, when her family moved to England, one of many who left Hong Kong before its transfer of sovereignty from the UK to China in 1997. Even as a child, Moss understood the significance of the handover, which returned Hong Kong to Chinese control after 156 years as a British colony. “Thanks to our British passports, we would avoid the greatest schism our city had ever known – and its consequences, which were unwritten,” Moss writes in her memoir, My Cantopop Nights. Later, as a touring musician, Moss played gigs in Hong Kong, where she reconnected with her childhood love of Cantopop – predominantly Hong Kong music that blended Chinese and western pop sensibilities. In 2017, she moved back there to write her fourth album. That year, which marked 20 years since the handover, saw thousands of pro-democracy protesters on the streets after activists including Joshua Wong, Nathan Law and Alex Chow were imprisoned. Amid the unrest, Moss sought to capture Hong Kong’s sound and spirit through her music. Continue reading...
At least five kids were sent to Rady Children’s Hospital in San Diego, California, after attempting the challenge
At least five kids were sent to Rady Children’s Hospital in San Diego, California, after attempting the challenge