Gintė Preisaitė: Instruments of Forgetting and the Singing Bone review | Safi Bugel's experimental album of the month

(Felt)
From birdsong to pool balls, this Lithuanian musician – a graduate of Copenhagen’s buzzy Rhythmic Music Conservatory – mixes beguiling found sounds into left-field pop and modern classical

Copenhagen’s Rhythmic Music Conservatory has become associated with a specific gauzy, esoteric sound, which draws on, and reshapes, classical instrumentation and pop songwriting. Think ML Buch, Astrid Sonne and Erika de Casier, all of whom have graduated from the institution since 2019. Following in their footsteps is Lithuanian musician Gintė Preisaitė, who works with piano, voice and electronics to create atmospheric, unsettling ambient compositions.

Instruments of Forgetting and the Singing Bone, Preisaitė’s first solo release under her own name, draws on her background in improvisational techniques and composing for large ensembles. With additional instrumentation from a cluster of collaborators – strings, woodwind, tape – she presents eight tracks that build in intensity through her collage-like assembling of strange sounds and effects.
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