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Awards for prose, children’s writing and poetry, for writers of colour in UK and Ireland, come with £1,000 Diana Evans has won this year’s Jhalak prose prize for I Want to Talk to You, a nonfiction collection on subjects ranging from Jean Rhys and Toni Morrison to lockdowns and the British monarchy. The book, described as a “pleasure and an invigoration” by the Guardian’s reviewer Alex Clark, was announced as the 10th winner at a reception on Wednesday evening. Continue reading...

The Guardian World

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Donald Trump given hostile reception as New York crowd boos and jeers president at NBA finals

President attends Spurs v Knicks game at MSG Knicks aiming to win first title since 1973 Live updates from Game 3 of the NBA finals Donald Trump was loudly booed when he was shown on the video screens at Madison Square Garden on Monday night before Game 3 of the NBA finals between the San Antonio Spurs and New York Knicks. Trump was shown on the jumbotron while the Star-Spangled Banner was being sung before the game, and jeers and boos broke out around the arena. The president was shown for a little over eight seconds and held a salute the whole time with a smile on his face. A few seconds later, the video board showed Knicks players in line and the boos turned to cheers. Continue reading...

Russian drone hits building storing spent nuclear fuel near Chornobyl

Attack was ‘extremely vile’ and deliberate, says Ukraine’s president Volodymyr Zelenskyy A Russian Shahed drone has substantially damaged a building used to store spent nuclear fuel close to the disused Chornobyl nuclear power plant, in what Ukraine’s president described as a deliberate and “extremely vile” attack. While the structure – the reception building of the spent fuel storage facility – was empty of containers at the time, the targeting of the sensitive site appeared to be direct messaging from Moscow amid an intensifying battle of long-range aerial strikes in which high-profile locations on both sides have been hit. Continue reading...

Iceage: For Love of Grace & the Hereafter review | Alexis Petridis's album of the week

(Mexican Summer) The quintet add shoegaze, country and 50s rock’n’roll to their core indie-punk sound, resulting in songs that offset lyrical bleakness with gleeful, uplifting music Iceage have always seemed like a band in a state of constant development. You might say that’s understandable, given the Danish musicians were in their teens when their debut album New Brigade was released in 2011: if you don’t change between the age of 18 and your early 30s, you’re probably in trouble. But rock music isn’t real life, and a less adventurous band might have been minded to stick with a good thing, given the reception New Brigade was afforded. Twenty-four minutes of hardcore blended with noisy Birthday Party-esque post-punk and a sizeable pinch of gothic gloom, it was praised so vociferously that the praise itself provoked heated debate, as claims any one band are the “saviours” of an entire genre are wont to do, particularly when said genre is punk. Iceage seemed entirely unbothered about any ensuing weight of expectation. If they didn’t exactly sound like a completely different band on 2014’s Plowing Into the Field of Love, they were still doing things you would never have imagined the authors of New Brigade doing: piano ballads, country-rock and, on Abundant Living, attempting to join the dots between Howlin’ Wolf’s Smokestack Lightning and the ramshackle sound of frontman Elias Rønnenfelt’s favourites the Pogues. In 2018, Beyondless offered Dexys-style horns, New Orleans jazz and a track that sounded like mid-80s U2 equipped with a string section. By 2021’s Seek Shelter, they had a gospel choir on board and mixed anthemic songs – imagine Oasis mired in angst, gloom and distortion – with tracks that interpolated the Carter Family’s Can the Circle Be Unbroken? or bore the influence of French chanson. Continue reading...

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The Guardian Culture

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