TypeScript devs no longer need to tangle with C# to use Aspire dev stack after Microsoft update
Aspire is a powerful tool for developers but not well understood โ and pure TypeScript AppHost may broaden its appeal
๐ฌ๐ง ์๊ตญ ยท "TYPES" ยท ์ด 6๊ฑด
ํํฐ ๋ณด๊ธฐํ์ฌ ์ง์
50.0
0 = ๋ถ์ ์ฐ์ธ
50 = ์ค๋ฆฝ
100 = ๊ธ์ ์ฐ์ธ
์ต๊ทผ 7์ผ ๊ธฐ์ค 4,021๊ฑด์ ๋ถ์ํ ๊ฒฐ๊ณผ, ๋ด์ค ์ฌ๋ฆฌ์ง์๋ 50.0(๊ท ํ)์ ๋๋ค. ๊ธ์ 1๊ฑด(0.0%)ยท์ค๋ฆฝ 4,019๊ฑด(100.0%)ยท๋ถ์ 1๊ฑด(0.0%)์ด๋ฉฐ, ์ค๋ฆฝ ๋น์ค์ด ๋๋ ทํ๊ฒ ๋์ต๋๋ค. ์ฑํฅ ์ง์๋ ์ข ํฉ 1.1(์ค๋ ๊ท ํ)์ ๋๋ค.
Aspire is a powerful tool for developers but not well understood โ and pure TypeScript AppHost may broaden its appeal
Results presented at oncology conference in Chicago show Galleri test failed to reduce late-stage cancer diagnoses A blood test for more than 50 types of cancer that was billed as the holy grail of oncology has failed to achieve its main objective in a major clinical trial, according to data presented at the worldโs largest cancer conference. The goal of the study involving 142,000 NHS patients in the UK was to assess whether adding the multi-cancer early detection test Galleri to standard screening could shift diagnoses to earlier, more treatable stages. Continue reading...
A talky, performance-driven two-hander manages to find specificity and spark in what could have felt like an overly familiar throwback Hollywood is currently in an odd but oddly exciting place, where no one is quite sure what types of โfilms they donโt make anymoreโ they should actually start making again. Weโve seen historical epics such as Oppenheimer, erotic thrillers such as The Housemaid and female-led workplace comedies such as The Devil Wears Prada 2 all make blockbuster bank and weโre in the middle of a bumper year at the box office, edging towards a pre-pandemic total. But around the edges or in-between the cracks, there are brackets of films that might once have been given a spotlight, yet are still being left in the dark. A film such as Miss You, Love You โ a talky comedy drama about adults navigating adult issues โ would never have been a smash hit exactly, but it would have occupied a space which has now mostly faded, a space where specialty releases slowly turn strong reviews into good word of mouth that in turn allows for minor, yet, impressive numbers, a sleeper hit with awards buzz. Made over two years ago and then screened for buyers at this yearโs Sundance, with the help of Julia Roberts, whose husband acts as cinematographer, it was ultimately bought by HBO and shuffled into an early summer TV premiere, where it will likely go the unfortunate route quietly laid out by the networkโs other purchased titles. Continue reading...
Wolterton, Norfolk From an explosion of plywood chairs to something akin to bubblegum stuck to the walls, this imaginative exhibition reverberates with Barlowโs punk irreverence Wolterton Hall is folded so deeply into the countryside of the Bure Valley that you canโt even see the grand Palladian mansion when you enter the gates to the estate. This was once one of the four power houses of Norfolk, built by Thomas Ripley for Horatio Walpole. Inside, Wolterton is dripping in 18th-century treasures, furniture, then-fashionable Belgian tapestries, fusty old portraits of important types โ but now also, knobbly bodily things, strange almost familiar shapes stuck to walls and chucked down the stairs, as if someoneโ namely Phyllida Barlow โ had come in and trashed the place. Itโs a difficult thing to know what to do with these former country stately homes. Many have adopted a contemporary art programme as a way of challenging their history and bringing in new visitors. Simon Oldfield โ Woltertonโs artistic director, brought in by the new owners, the Ellis family, two years ago โ has done more than that. He has reinvented the space, making room for new ideas to take over. Thereโs no better artist for that than Barlow, whose works seem to take on a life of their own wherever they go. Her exhibition begins at the entrance, where the explosive installation Untitled: Stacked Chairs greets you. The cacophony of red plywood chairs feels like a statement about throwing things out and starting again. Itโs rebellious, disruptive and direct. Continue reading...
โWe cannot continue to blame migrants for the problems of our economy,โ backbencher Andrew McLachlan says Follow our Australia news live blog for latest updates Get our breaking news email, free app or daily news podcast A Liberal senator has broken ranks to criticise Angus Taylorโs plan to bar non-citizens from accessing welfare, warning it will create โtwo types of members of the communityโ and is โnot the Australian wayโ. The outspoken backbencher Andrew McLachlan said migrants should not be blamed for economic problems including the housing crisis, and warned his partyโs immigration rhetoric was alienating diaspora communities. Continue reading...
Before Linotype revolutionised typesetting in the 1880s, compositors set texts by hand โ and they set them *fast*. Alex Wright rediscovers the thrilling world of typesetting races, which drew crowds in the thousands, offered huge cash prizes, and helped women "Swifts" fight for workplace equity.