🇬🇧 영국 · "SCREAM" · 총 21건
필터 보기현재 지수
50.0
0 = 부정 우세
50 = 중립
100 = 긍정 우세
최근 7일 기준 3,880건을 분석한 결과, 뉴스 심리지수는 50.0(균형)입니다. 긍정 1건(0.0%)·중립 3,878건(99.9%)·부정 1건(0.0%)이며, 중립 비중이 뚜렷하게 높습니다. 성향 지수는 종합 2.1(중도 균형)입니다.
Marine Basmajian killed her husband and two young children before ending her own life. Now her devastated brother Arthur is speaking exclusively to the Daily Mail.
Successful jokes are thin on the ground in the musty sixth installment of the once-popular parody franchise, taking aim at everything from Scream to Sinners The Scary Movie series has always depended on timing. Not necessarily in its gagcraft, which has oscillated between occasional sharp jabs and many beyond-broad blows, but in its position on the release schedule. This was especially true of the first installment, which arrived in theaters just a few months after the 2000 release of Scream 3, capitalizing on the new wave of slashers while holding a spoofy Viking funeral for that just-concluded trilogy. A quarter of a century later, horror endures and there’s no reason to think spoofs can’t endure in parallel along with it as Backrooms and Obsession have ruled the early summer box office. The sixth Scary Movie, repeating the first movie’s unnumbered title as a simultaneous nod to and act of reboot branding, is releasing too soon after those surprise smashes to incorporate them into its litany of gags (not even some last-minute ADR references, guys?). It’s stuck far further back, doing a composite of the fifth and sixth Scream movies from 2022 and 2023, respectively. On the other hand, with the recent Scream 7 largely abdicating its self-referentiality entirely, Scary Movie arrives as the last horror-comedy holding the torch for in-jokes that its self-serious cousin couldn’t bother with. Continue reading...
Georgi Bizhev was driving along a mountain road near the Vidraru Dam in central Romania last Wednesday when he decided to stop after spotting a mother bear and her cub.
Commonwealth Bank economists expect 5% drag on home prices from tax changes, compared with Treasury forecast of 2%. Follow today’s news live Get our breaking news email, free app or daily news podcast Watt ‘confident’ tax legislation will pass Parliament Environment minister Murray Watt, says the government is confident that the crossbench will support the government’s contentious budget bill after it passes through the House (likely today on Labor’s timeline). We’re confident, at the end of the day that the crossbench will see that our budget and legislation is about tax cut to every single working Australian. It screams that they’re a bit like not letting us know what their plans were heading into the budget with the taxes they were going to impose that they don’t want to bring that to the parliament. And so they’re leaving that in Jim Chalmers back pocket for him to change at a later date … The fact that you’re thinking that crashing the housing market is the solution to the housing [crisis]. Continue reading...
An angry Georgia driver is being sought by police after he was caught on video getting out of his SUV and repeatedly striking another motorist's truck during a road-rage incident.
A laboured attempt to resurrect toy IP very few people still care about is a $200m-budgeted waste of everyone’s time It’s not just that He-Man himself is from the 80s that gives 2026’s Masters of the Universe such an aggressive throwback vibe. It’s that trying to assemble a film around the haphazard mythology of a toy and dusting off IP that precious few still care about feels like something Hollywood has slowly been doing a bit less of, especially on a scale such as this. This year, hits have relied on either properties that audiences do have passion for (Scream, Michael Jackson, Mario, The Devil Wears Prada) or, radically, original ideas (Obsession, Backrooms, Goat, Hoppers). We haven’t endured an Underworld sequel or a Tarzan reboot since 2016, a Terminator film since 2019, a Dolittle reboot since 2020 or a GI Joe spin-off since 2021. Mattel might then have struck gold with Greta Gerwig’s Barbie in 2023, but that was both an unconventional, auteur-led one-off and based on a product millions were still buying on the regular (the year before release, the brand made more than $1.4bn). Various directors, from John Woo to Jon M Chu, have been loosely attached to a He-Man movie over the years and various studios, from Sony to Netflix, have tried (the latter streamer having spent a reported $30m on a failed attempt) but, as with many long-gestating projects in Hollywood, those involved forgot to remember Jeff Goldblum’s evergreen Jurassic Park line: “So preoccupied with whether or not they could that they didn’t stop to think if they should.” Continue reading...
She’s famous for sculptures that seem both solid and liquid. Now she has created a show amidst the ‘downfall of America’ inspired by a phrase from a comedy routine that came to obsess her A few weeks ago, Roni Horn, 70, was removed from her flight, just before takeoff from the US to Germany. A male steward was so irritated when he asked her to adjust her seat – and she politely refused to move it any further, since it was already as upright as she could get it – that he had the flight stopped and Horn was escorted off, where she gave a report to stunned police. “I was in business class, just for context,” she says. The artist and writer went back home, to the island on Maine where she lives, and cancelled the first part of her European trip. That was two weeks ago. Then she flew directly to London, in time for her first solo exhibition here in a decade – Seizure of Hope at Hauser and Wirth. Continue reading...
Heartbreaking video has emerged of the moment a Queensland police officer shot dead a family dog as neighbours watched on in horror.
Record-breaking box office for Backrooms and Obsession has opened the door for twentysomething YouTube creators as the industry rethinks what audiences want At this time last year, the idea of a wide-release feature film-maker cutting their teeth on YouTube was, if not unheard of, certainly still a niche origin story. Siblings Michael and Danny Philippou had just released Bring Her Back, the follow-up to their surprise horror hit Talk to Me, to pretty-good reviews and OK box office; clearly they would continue to work, but the slightly diminished returns didn’t predict a YouTube explosion. Nor did the outright lousiness of Shelby Oaks, from longtime YouTube film critic Chris Stuckmann, when it premiered in theaters later in 2025. Generous horror-festival buzz died down as more people actually laid eyes on the movie; Stuckmann was an obvious enthusiast, and some saw promise in his first effort, but a clumsy found-footage pastiche without much emotional sense didn’t seem like the next big thing, either. But in 2026, something has shifted. In January, YouTuber Markiplier self-released his adaptation of the video game Iron Lung to theaters, and it outgrossed any number of big-studio titles. Then Curry Barker, whose comedy sketches have been a YouTube fixture, unveiled his feature debut Obsession. The film, made for under a million dollars, has become the box office phenomenon of the summer so far, managing a virtually unheard-of feat when its second and third weekends actually outgrossed its first. Obsession is sharing multiplex space with Backrooms, directed by 20-year-old Kane Parsons, who previously brought the spooky internet meme to life in a series of YouTube shorts. Despite being set in a series of purgatorial, sparsely furnished, fluorescent-lit “liminal spaces”, it was the top movie at the North American box office this weekend, poised to become the biggest-grossing movie from distributor A24 in a matter of days. Backrooms also opened to bigger numbers than any number of starrier or bigger-brand 2026 titles like Wuthering Heights, Scream 7, The Devil Wears Prada 2 or the last Pixar movie. That makes three YouTube-trained film-makers who have presided over some of this year’s biggest and/or most surprising hits. With them have come countless social media posts about how YouTube, not film school, provides the real training tomorrow’s directors need. Continue reading...
Graphic videos on social media appear to show upset onlookers after police accidentally ran over animal in Mount Isa street Follow our Australia news live blog for latest updates Get our breaking news email, free app or daily news podcast Confronting footage has emerged of police shooting dead a pet dog as it lay prone in the middle of a street in front of screaming onlookers, after they accidentally ran over the animal in an outback mining city. The graphic videos, posted to social media on Sunday afternoon, appear to show one resident in distress and being led away wailing and pulling at her hair in distress as a shot rings out. Continue reading...
Refugees, homophobia, gay rights, even Trump, are all covered in this opener, which occasionally leans towards agitprop. But with excellent performances, and RTD’s storytelling brilliance, things really build from here We open on an ordinary suburban street. A teenage boy is gazing out of a window. A woman – his mother? – is screaming. A man – his father? – is standing in the garden gazing unfocused at whatever lies beyond. The camera draws back to reveal a scene so shocking it hardly computes. Then we flashback to 10 days earlier to begin to understand how they, and the other figures in the scene, got here. So, with characteristic bravura, begins Russell T Davies’s new drama, Tip Toe. The man in the garden is Clive (David Morrissey), an electrician with two sons – 16-year-old college student George (Jackson Connor) and 25-year-old Saul (Joseph Evans), who helps him in the business when there is enough work to go around – and enduring an unhappy marriage to Marie (Pooky Quesnel). Continue reading...
Trump’s pursuit of policies that drive up prices, including tariffs and war, might be punished in November’s elections For such an uncannily successful politician, Donald Trump exhibits a perplexing political myopia. His most recent own-goal was endorsing Ken Paxton, a state attorney general, against four-term senator John Cornyn in the Republican primary for Senate in Texas. Trump’s endorsement helped push the ethically compromised Maga firebrand over the top, to run against popular Democrat James Talarico in November, complicating the Republicans’ chances to keep the seat. But what truly screams “I want us to lose the midterms” is what Trump is doing about inflation, which is becoming his most vulnerable issue. According to a New York Times/Siena poll of registered voters earlier in May, Trump’s approval on handling the cost of living is underwater by 42 percentage points, poorer than his rating on handling the economy (minus 31 points) and the unpopular war in Iran (minus 34 points). Continue reading...
The fathers who were drinking in the club's beer garden climbed on top of the flaming container and helped him out through a small window after a mother heard him wailing.
A hiker said that a man from the group in front of him was screaming ‘bear attack’
Infinity Ward’s new game in the storied shooter genre embraces change with a potentially controversial real-world setting There was a time when Call of Duty (CoD) regularly courted controversy. In 2009, Modern Warfare 2’s infamous “No Russian” mission saw players (optionally) shooting screaming civilians in a Moscow airport. In 2022’s entry, a drone strike mission that drew chilling parallels to the real-world US assassination of Iranian general Qassem Suleimani two years earlier was featured. The series has not always been straightforwardly palatable. In recent years, however, the world’s most popular shooter game has largely swapped grit for melodrama, following the misadventures of a troop of larger than life elite soldiers. For 2026’s Modern Warfare 4, however, Activision’s shooter series and its developer Infinity Ward are back in tabloid-baiting territory. Continue reading...
New footage shows screaming teenage revellers sprinting away from the scene and towards the Hackney Marshes, as shots fire in the background.
Museum of Homelessness, London This mostly al-fresco exhibition expertly unpicks how homeless and nomadic people have been persecuted over the centuries A trim caravan sits in an idyllic garden in the grounds of a former gatehouse. Its cosy interior is decked with a cornucopia of crafts: pastel-coloured bunting, felt embroidery, a bright rag rug, plumply immaculate cushions. On the sideboard is a small display of pristine china. It feels like a glamping retreat or a chi-chi refuge from the Chelsea flower show. But look more closely at the china, and you’ll see that it’s decorated with Sun newspaper headlines venomously fulminating against Gypsy and Traveller encampments. “STAMP ON THE CAMPS” screams one. Another depicts a blazing caravan from the infamous 2011 Dale Farm eviction, which ended a 10-year standoff between Basildon council and Traveller families, who had bought a former scrap yard on green belt land and set up their caravans on it. Continue reading...
Lexi Brown, 14, fell ill in December last year with a temperature and dizziness - but rang her mother a few days later screaming in pain.
Ted Cruz said Trump could face a “full-on revolt in the Senate” over the controversial fund
With its screams, sex, bells and bloodshed Puccini’s opera was initially derided as a noisy disaster. Ahead of Glyndebourne’s first ever production, we look the ‘shabby little shocker’ that’s become one of opera’s most bankable masterpieces Gustav Mahler hated it. Its publisher was convinced it would be a commercial disaster. Critics complained it was mostly just “noise” and predicted that it would quickly be forgotten. But more than 125 years since Tosca’s premiere in January 1900, Giacomo Puccini’s fifth opera remains one of the most bankable in the business. We love a hard-won success story in classical music. Think of the tales of woe that still swirl around Beethoven’s life and works, with their implied happy ending in our own Beethoven centrism. Or there’s Wagner’s Tannhäuser being booed off the stage in 1861, before finding its way into the operatic pantheon. Or the riot supposedly provoked by Stravinsky’s Rite of Spring at its 1913 premiere, before everyone calmed down and the score was acclaimed a masterpiece. Continue reading...