Billam-Smith stops Rozicki in Zuffa Boxing's UK debut
Britain's Chris Billam-Smith marks Zuffa Boxing's UK debut show with a gritty performance to beat Ryan Rozicki by technical knockout after seven gruelling rounds in Bournemouth.
🇬🇧 영국 · "PERFORMANCE" · 총 52건
필터 보기현재 지수
50.0
0 = 부정 우세
50 = 중립
100 = 긍정 우세
최근 7일 기준 4,131건을 분석한 결과, 뉴스 심리지수는 50.0(균형)입니다. 긍정 1건(0.0%)·중립 4,129건(100.0%)·부정 1건(0.0%)이며, 중립 비중이 뚜렷하게 높습니다. 성향 지수는 종합 1.4(중도 균형)입니다.
Britain's Chris Billam-Smith marks Zuffa Boxing's UK debut show with a gritty performance to beat Ryan Rozicki by technical knockout after seven gruelling rounds in Bournemouth.
Just months from the Victorian election, the premier’s performance has left some MPs wondering if it’s too late for Labor to change leaders Get our breaking news email, free app or daily news podcast Jacinta Allan faced three major tests this week. The way she handled them has left some of her colleagues speculating about a possible leadership change just months out from the Victorian election. The first came on Monday, as the premier responded to a parliamentary inquiry that six months ago recommended sweeping reforms to Victoria’s integrity laws. Continue reading...
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Benny Andersson and Anni-Frid Lyngstad made a surprise appearance at a performance of Abba Voyage Abba Voyage concerts can be deafening enough. But when the real-life Benny Andersson and Anni-Frid Lyngstad made an appearance in the hall, which was packed with hundreds of schoolchildren, even security staff present were surprised by the din. On Tuesday, at the custom-built Abba Arena in east London, the virtual concert residency launched its expanded education programme, which aims to support young people across the area getting into creative industries. Continue reading...
A Sydney screening of La La Land with live orchestra was rescued by a brave (and skilled) amateur pianist. What happens when classical performers, or their instruments, suddenly collapse? Plus, Tavener’s mystic pantomime finally gets to the stage Music’s equivalent of catching a home run at a baseball game happened on Saturday in Sydney, when a 21-year-old university student jumped in to save a performance of the movie La La Land with live orchestra. The band’s keyboardist had fallen ill and couldn’t perform in the second half. Unable to find a replacement at such short notice, the conductor Justin Hurwitz (winner of two Oscars for the film’s music) asked the audience if there was a pianist in the house. Sterling Nasa answered the call, and performed in the second half, improvising a solo, and not getting a tempo change or key signature wrong. It’s a great story – and incredible that an audience member had the requisite sight-reading and technical skills to carry it off. Could it happen in a classical concert? There have certainly been moments here too when an audience member has saved the day. The best of those stories comes from the summer of 1974, when the London Symphony Orchestra and Chorus brought Carl Orff’s Carmina Burana to the Proms, conducted by André Previn, with the baritone Thomas Allen among the soloists. You can actually hear the shocking moment from the live radio broadcast when Allen collapses into the cello section in an episode of the BBC World Service’s Witness History. He had fainted and was carried off the stage. After a brief pause, Previn chose to keep going rather than stop the performance. Continue reading...
Smith Square Hall, London This resourceful semi-staging blended choral collective Idrîsî Ensemble’s ancient chants with Iestyn Davies and Figure’s Vivaldi. Vespers. The word conjures an intoxicating aura of twilight and incense. Liturgically, it’s an opportunity for Christians to sanctify the day’s end as the sun is setting, but its roots are deeper, stretching back to first-century Judaism. Its name, from the Greek Hesperus, hints at darker pagan origins. This semi-staged concert located Vespers as it might have been heard in Vivaldi’s Venice, within the broader and more ancient cultures of the Mediterranean. Entering to the sound of bells, the audience was seated either side of a raised platform. At one end were string players from Figure, a historical performance orchestra, crisply led by Frederick Waxman. At the other was countertenor Iestyn Davies, a troubled figure staring at a laptop and lit by a single candle. As he donned headphones, an otherworldly Kyrie drifted down from a balcony. The voices were Idrîsî Ensemble, a choral collective specialising in the performance of Old Roman chant, the music of the early Christian Church in Rome. It was a haunting sound, open throated and ornate, its vinegary harmonies peppered with ululating decorations. Continue reading...
From modern art giants such as Helen Marten to the most exciting up-and-comers, this weekend’s art party showcases the best and brightest the capital has to offer – free of charge With hundreds of world-class galleries, thousands of stunning exhibitions and countless talented artists, London has a serious claim to being the art capital of the world. Sure, it’s also got sky-high rents that make surviving as an artist nigh on impossible; and yes, perilous economic conditions mean that galleries are closing at an unprecedented rate (the brilliant Tiwani Contemporary announced last week that it would soon be shutting for good). But there’s still plenty to celebrate. And that’s where London Gallery Weekend comes in. Now entering its sixth year, the event brings together London’s biggest, brightest and best galleries for a weekend-long art party. There are talks, walk-throughs, performances, poetry readings and gigs taking place across the weekend, with galleries open late throughout – and admission to everything is free. Continue reading...
Howells puts in a strong turn as Henry Paget, a Victorian marquess who blows his inheritance on hosting wild parties and staging gender-defying theatrical performances Playing the shy Colin in Russell T Davies’s 2021 TV drama It’s a Sin, Callum Scott Howells had to be the humble caterpillar compared to Olly Alexander’s extravagant butterfly. But now Howells gets an upgrade to full butterfly status in this high-spirited and good-humoured drama from screenwriter Lisa Baker and director Celyn Jones, reclaiming a forgotten chapter in queer Victorian history. With a moustache resembling that of Proust, Howells amusingly plays the flamboyant aristocrat Henry Paget, 5th Marquess of Anglesey, a delicate consumptive and aesthete who, in the late 19th century, blew his vast inheritance on colossal private theatricals, wild parties and jaw-dropping performances in which he would appear in gender-challenging costumes, including a diaphanous veil he wore as a “butterfly dancer”. He caused scandal with his behaviour and apparently unconsummated marriage to first cousin Lily (Ruby Stokes), whose attitude to him here is perhaps more affectionate and tolerant than it was in real life. Continue reading...
Putin believes his forces can achieve his goals despite Russia’s battlefield performance steadily declining in 2026, says think tank
Terrific acting, especially an intriguingly ambiguous turn by child actor Julianna Layne, ground this twisty little horror debut When Ellie (Jessica Rothe) wakes up in bed in a house she doesn’t recognise, next to a man she doesn’t know, she naturally assumes the worst, in debut feature director BT Meza’s creepy thriller. Understandably, she freaks out, and is even more disconcerted when a little girl calling her mommy appears, distressed that Ellie doesn’t know who she is either. Has she been kidnapped? Why would this girl play along with the kidnapper’s ruse? At this point, Bruce (an excellent performance from Joseph Cross) intervenes, reassuring his daughter and explaining to Ellie that she has memory loss. He is her husband, he says, and Alice (Julianna Layne) is their little girl. If you’ve ever watched a film before, you’ll know there are twists and turns coming. This nifty little movie keeps you guessing and when it eventually shows its hand, there’s still plenty of mileage left in the characters. Layne gives a beautifully calibrated performance as Alice; it’s initially genuinely difficult to work out if she’s an innocent caught up in a terrifying situation or somehow in on whatever is happening – and that’s exactly what this character needs. With a film that wants to tease the viewer as to exactly what genre we’re watching, it’s ideal to see a kid played with a degree of ambiguity. Continue reading...
Written in breathless multilingual prose, this coming-of-age meets state-of-the-nation novel is an incredible literary performance Three twentysomethings “drive and dream of an impossible night on an endless street. moving as a massive through mad sticky traffic, destination: where else? manchester, wilmslow road, the curry mile, yo!” Thus opens Sufiyaan Salam’s high-octane debut novel, written largely in gen Z lowercase – and you’re in for a ride. The Boyz are British Pakistani friends in their early 20s. Immy is “something of a bad-boy muslim slut who don’t never text back”; Khan is “the mogul mowgli himself … the type to recite Warren Buffett epigrams like they’re hadiths”; and Haris has “a mind that never switches off, philosophy subreddits doing bares”. Each is looking for an escape – from their past, present, someone else, or themselves – and they come together for one night “cruising and bruising in a hire car towards what might just be the natural elastic endpoint of a friendship beginning to fray”. Continue reading...
Former first lady speaks about Biden’s decision to withdraw from the 2024 presidential race at event for her new memoir Jill Biden recalled the immense pressure that Joe Biden faced in the aftermath of his disastrous 2024 debate performance, saying he told her “Jilly, I had no choice,” following his decision to drop out of the presidential race. The former first lady made the comments during a Tuesday book event coinciding with the release of her new memoir, View from the East Wing. The event was held at the 92nd Street Y in New York City, and moderated by comedian and co-host of The View, Whoopi Goldberg. Former president Biden was in attendance at the event and received two standing ovations from the crowd. Continue reading...
The Fall frontman’s play about a papal plot appalled critics when first staged in 1986, with Leigh Bowery starring as a cardinal. Now Hey! Luciani is back – but does it make any more sense 40 years on? When Steve Hanley joined Manchester post-punk group the Fall, he expected to be playing bass guitar, not the pope on the London stage. “I was the new pope,” remembers the musician. “I had a full pope suit on with about seven different layers of cassocks, and I’d come out to wave.” Hanley’s papal arrival signalled the final moments of a kaleidoscopic and surreal production that encompassed mafia gangsters, exiled Nazi commanders, and the performance artist Leigh Bowery playing a cardinal. “It was bizarre,” Hanley concedes. Continue reading...
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With procedures like filler and Botox becoming commonplace, audiences are lamenting the smoothed-out, uncanny faces now rampant in major pictures A few years ago, New York dermatologist Dr David A Colbert received an unexpected call from a Hollywood director. The director was shooting a film starring a high-profile actor who had plumped his face with so much filler it wouldn’t move. The director proceeded to berate Colbert, whose practice has treated famous faces such as Sienna Miller, Naomi Watts and Robin Wright, for stilting his star’s ability to emote. “He was kind of rude,” Colbert said. “He was like, ‘Hey, can you stop doing what you’re doing [to his face]?’” Continue reading...
Susanna Kaysen’s cult memoir sparked a wave of 90s novels about young women in crisis. After 10 years in the making, stars Juliana Canfield and King Princess are bringing it to the stage Girl, Interrupted may seem like unlikely material for a musical. Based on a 1993 best-selling memoir by Susanna Kaysen, the slim volume chronicles the author’s approximately two-year stay inside a psychiatric facility in the late 1960s. After a decade of effort, the book’s adaptation is finally premiering off Broadway at New York’s Public Theater with a cast that includes Juliana Canfield, the Tony-nominated Stereophonic actress, as Susanna and the pop star King Princess, in her stage debut, as Lisa. Though the theatrical interpretation pulls solely from the memoir, James Mangold’s 1999 film adaptation, starring Winona Ryder as Susanna and Angelina Jolie in an Oscar-winning performance as Lisa, will probably loom large in the audience’s minds, as it did for the cast. Continue reading...
Everything went smoothly until the intermission, when the film's Oscar-winning composer and conductor, Justin Hurwitz, revealed that the pianist had fallen ill.
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Shadow minister says the Coalition must treat minor party as an opponent, not an enemy. Follow today’s news live Get our breaking news email, free app or daily news podcast James Paterson, the shadow defence minister, says that One Nation’s “increased prominence” should bring “increased scrutiny”, brushing off suggestions from new party president Tony Abbott that the Liberals should not fight with parties to their political right. Paterson told the ABC on Monday night: One Nation are not our enemy but they are a political opponent, they are trying to take votes and seats off the Liberal Party. Their increased prominence in the polls, brings increased legitimate scrutiny on their performance, on their policies, on their candidates, on their conduct. It’s up to the parliamentary party to chart our own course, and I’m very clear about our role in this. It’s not really his role as party president, it’s an organisational role, his role is to rally the troops, to raise money, to get the campaign organisations fighting fit, I’m very pleased he’s put his hand up for that role, he’ll be outstanding in it. Continue reading...
The former First Lady said she wanted to encourage her husband, but also tell the truth, after his debate performance, which is why she ended up telling him: ‘You answered every question’