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'Almost rage bait': Has Euphoria gone from defining Gen Z to dividing them?
Season three ends on Monday and many of the show's original fans say they have "outgrown" the drama.
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Season three ends on Monday and many of the show's original fans say they have "outgrown" the drama.
As its third season ends, Sam Levinsonโs HBO show reflects the grim future that gen Z faces. Its rage-bait is precisely the point The third season of Euphoria has been almost impossible to ignore for anyone with a smartphone. The HBO drama, which started off in 2019 following a group of hedonistic, privileged teens, has evolved into televisionโs answer to rage-bait, creating moments that are specifically designed to dominate the news feed with memes and outrage. Even before we reach the season finale, weโve seen OnlyFans storylines, pup play, sugar daddies, mummification fetishes, a disastrous wedding, fingers and toes being sliced off, venomous snake attacks, cockatoo assassinations (RIP Paladin), gangster shootouts and (several) characters being buried alive. In season three, Euphoria picked up its story five years after the characters graduated from high school. At times, the show has felt lost outside of the high school setting, exploring a confusing mishmash of genres and plots, some of which have been called out for glamorising misogyny and violence. Yet despite these criticisms, the show has a track record of taking bold artistic risks, which is becoming rarer in a content landscape that values quantity over quality. It turned Sam Levinson, its creator, into one of Hollywoodโs most exciting (and polarising) visionaries, and catapulted a new generation of actors into the A-list to the point where it now seems like they have outgrown the show). As season three concludes, Euphoria represents a strange โ and very โ2026โ โ contradiction, where it feels both ridiculous and undeniably influential. Continue reading...
The HBCU Radio Preservation Project celebrates stations that were an outgrowth of the civil rights movement, to help people understand their importance After Shaw Universityโs WSHA radio station went on air in 1968, several other historically Black colleges and universities (HBCUs) followed the North Carolina schoolโs lead, launching a wave of their own. For decades, the students who worked on these channels used them to inform listeners about happenings on campus, while also playing musical selections and offering cultural programming. In doing so, the radio stations at HBCUs became pivotal resources for both the campus and the surrounding community. Continue reading...