The Independent (World)
진보 성향
문화/연예
Mackenzie Shirilla’s father will not return to job after interview with Netflix doc ‘The Crash’
Mackenzie Shirilla’s father previously said he wouldn’t return to the his job
🇬🇧 영국 · "NETFLIX" · 총 16건
필터 보기현재 지수
50.0
0 = 부정 우세
50 = 중립
100 = 긍정 우세
최근 7일 기준 3,965건을 분석한 결과, 뉴스 심리지수는 50.0(균형)입니다. 긍정 1건(0.0%)·중립 3,963건(99.9%)·부정 1건(0.0%)이며, 중립 비중이 뚜렷하게 높습니다. 성향 지수는 종합 2.5(중도 균형)입니다.
Mackenzie Shirilla’s father previously said he wouldn’t return to the his job
A laboured attempt to resurrect toy IP very few people still care about is a $200m-budgeted waste of everyone’s time It’s not just that He-Man himself is from the 80s that gives 2026’s Masters of the Universe such an aggressive throwback vibe. It’s that trying to assemble a film around the haphazard mythology of a toy and dusting off IP that precious few still care about feels like something Hollywood has slowly been doing a bit less of, especially on a scale such as this. This year, hits have relied on either properties that audiences do have passion for (Scream, Michael Jackson, Mario, The Devil Wears Prada) or, radically, original ideas (Obsession, Backrooms, Goat, Hoppers). We haven’t endured an Underworld sequel or a Tarzan reboot since 2016, a Terminator film since 2019, a Dolittle reboot since 2020 or a GI Joe spin-off since 2021. Mattel might then have struck gold with Greta Gerwig’s Barbie in 2023, but that was both an unconventional, auteur-led one-off and based on a product millions were still buying on the regular (the year before release, the brand made more than $1.4bn). Various directors, from John Woo to Jon M Chu, have been loosely attached to a He-Man movie over the years and various studios, from Sony to Netflix, have tried (the latter streamer having spent a reported $30m on a failed attempt) but, as with many long-gestating projects in Hollywood, those involved forgot to remember Jeff Goldblum’s evergreen Jurassic Park line: “So preoccupied with whether or not they could that they didn’t stop to think if they should.” Continue reading...
Richard Gadd’s follow-up to Baby Reindeer is a relentlessly punishing look at characters being crushed by the unending horror of their lives. At times, it feels like it was made by emo teens If you look up Baby Reindeer on Netflix, you’ll find it categorised as a comedy series. This may come as news to anyone who has actually seen it, because they might have been labouring under the delusion that it was a terror-filled rolling panic attack of a show, sitting somewhere between psychological thriller and all-out horror. But the initial labelling makes some level of sense. Richard Gadd was a comedian and Baby Reindeer was based on his Edinburgh show of the same name. Plus, what could be cuter than a baby reindeer? It would be very simple to infer some level of comedy from the description. Continue reading...
Towering over a low-income area of Chicago, and wrapped in a speech that’s hard to decipher, this controversial monolith feels like a menacing sci-fi HQ. Is it a monument – or a mausoleum? The Egyptians had their pyramids. The Anglo-Saxons had their barrows. And the Americans have their presidential libraries – the chief difference being that the leaders the US venerates are usually still alive at the opening. Lacking a royal family or a state religion, the US presidency has swelled to fill the void, transforming over the decades into a national personality cult, complete with its own secular temples to these powerful men. The latest pharaonic edifice is about to open on Chicago’s south side, where it looms on the skyline as a towering totem to the 44th president, Barack Obama. He might have seemed humble in office, but in his post-presidential, Netflix-producing afterlife, Obama has erected the largest, costliest and most audacious complex of them all. Behold the $850m Obamalisk – or, as it sometimes feels morbidly like, the Obamausoleum. Continue reading...
Huge crowds formed outside a shopping centre in China to see Pursuit of Jade's Zhang Linghe.
In HBO docuseries Bring Me the Beauties, a lesser-known, image-obsessed cult from the 80s is put under the spotlight Documentary film-maker Chris Smith made the seminal 1999 film American Movie, about an indie director’s struggle to complete a horror film, which he hopes will then finance the completion of his dream project. More recently, he’s profiled well-known subjects in projects for Netflix about Jim Carrey and Andy Kaufman, the bands Devo and Wham!, and the disastrous Fyre festival, among others. His new HBO miniseries Bring Me the Beauties is similarly connected to popular culture, but through a story with far less immediately available background material: the rise and fall of Eternal Values, a cult started in the 80s by the eccentric Frederick von Mierers, consisting largely of models. “What was odd about this story,” Smith said, “is that there was very little about it online.” He met Hoyt Richards, sometimes referred to as the first male supermodel and a former Eternal Values member, on another project, “and as we started talking, hours went by”, Smith said. “It was one of those situations where I just became more and more curious about his life.” Richards became the backbone of the series, sitting for many hours of interviews, but wasn’t sure if Smith and his collaborators would be able to coax anyone else into participation. As seen in the series, not everyone’s account of their experience with Von Mierers is the same; not everyone is even convinced they were involved with a cult in the first place. Continue reading...
Project Headroom could save you big money, too
Endangered snow leopard had leg amputated and capybara died at Mario Tabraue’s controversial roadside facility An endangered clouded leopard had a leg amputated and a capybara died following botched breeding attempts at a controversial Miami roadside zoo owned by a convicted drug trafficker featured in the Netflix documentary Tiger King. Federal wildlife inspectors found multiple other violations during a March inspection at Zoological Wildlife Foundation (ZWF), including dilapidated, insecure or unsafe housing conditions for wild animals, filthy cages, and water and food contaminated with algae and dead insects. Continue reading...
In a new Netflix documentary, 22-time Grand Slam winner Rafael Nadal opened up about the extreme lengths he went to to prolong his playing career, including surgery to take away feeling in his foot and perforating his intestine through over-use of anti-inflammatories.
This is access-all-areas viewing, with this four-parter talking at length to Nadal, his wife, his coaches and opponents. But that doesn’t necessarily make it insightful… There’s a lovely sequence in the second episode of this four-part documentary about the career of Spain’s greatest ever tennis player. It’s 2007 and Roger Federer and Rafa Nadal are walking on to Wimbledon’s Centre Court to play the first of the many finals they would contest. Federer is poised and slightly smug; hair flopping perfectly over his headband, dressed in an immaculate white blazer. Nadal trails behind him, wearing a vest and baggy shorts, shaggy hair flowing and eyes wild, looking for all the world like a beautiful young caveman. It captures his initial appeal perfectly: in his early years, Nadal was elemental, athletic beyond description and impossibly charismatic: equal parts tennis player, action hero and acrobat. It feels like our sporting legends are increasingly reluctant to leave the stage. Lionel Messi (38) and Cristiano Ronaldo (41) will both be at this summer’s football World Cup. One of England’s greatest ever cricketers, James Anderson, turns 44 this year and is still plying his trade in the County Championship. Becoming unsurpassably brilliant at something requires laser focus, but unlike music or acting or writing, there’s a definitive best before date. And once that date has passed, a big, scary void looms. If the miracles of modern medicine allow you to continue, it’s clearly incredibly hard to walk away. Rafa is on Netflix Continue reading...
Family doctors in England will ballot on proposals that could allow them to introduce subscription-based services, offering additional services to patients willing to pay.
This tale of a horny bear on a quest of sexual exploration after his partner leaves him during hibernation is certainly shocking. But can it match the sweetness of its predecessor? In the first minute of Netflix’s animated comedy Mating Season, a bear wakes up, urinates uncontrollably across his cave, stumbles outside, sees two horny raccoons banging away, then spirals into a deep well of shame about it. At this stage, it is barely worth pointing out that Mating Season is the spiritual successor to the outrageous, witty comedy Big Mouth, so completely does it inhabit that show’s DNA. And at this point, you will already know if the show is for you or not. Because Big Mouth, as popular as it was, polarised audiences like little else. That show was about the horrors of puberty and sexual awakening, and it was tailored with absolute precision to its target audience of hormone-battered adolescent boys. You could argue that it did this a little too precisely, because its juvenilia was so relentlessly nuclear-powered that plenty of people found themselves turned off by all the sex and farts and swearing. Continue reading...
Does the footballer have any regrets? This documentary doesn’t care to ask deep questions. Still, his colourful career from midfielder to movie star is an undeniably great story Do not come to the Untold UK documentary series about some of our greatest – or at least most famous – or at least most infamous – footballers looking for insight, interrogation, reflection, analysis or contemplation. Come for energetic hagiography and celebration. Or fuck off, as its latest subject, Vinnie Jones, would almost certainly put it. Even if you have never watched an entire football match – despite your dad and his friends’ best efforts as they solemnly lined up cans of Boddingtons and commandeered the living room every FA and World Cup final, perhaps – you will have heard of Vinnie Jones. For most of the 90s he was hard to miss – first as a player, then as a liability making endless tabloid headlines, and then as a film star. His beetle-browed, charismatic, menacing face would have stared out at you between the crossed shotguns resting over his shoulders when the Lock, Stock and Two Smoking Barrels marketing campaign briefly took over the world. Untold UK: Vinnie Jones is on Netflix Continue reading...
His starring role in Richard Gadd’s brutal toxic masculinity series is a far cry from his days as Billy Elliot. The actor opens up about gruelling shoots, dancing on toilets – and why he can’t ever just chill out Not many actors are relieved when they have to film an eye-poppingly explicit sex scene, but that was the case with Jamie Bell on Half Man. His role involved chemsex in saunas, dogging in car parks and illicit quickies in library loos. “Honestly, I was so grateful to be shooting that stuff and not fucking 16-page dialogue scenes, where you’re emoting and it’s so intense,” says Bell. “On days when my character had to have sex with random people, I’d think: ‘Thank God!’ Frankly, it came as a welcome reprieve.” Richard Gadd’s first TV show since the Emmy-gobbling global Netflix hit Baby Reindeer, Half Man chronicles the combustible, codependent relationship between two “brothers from another lover”. Niall (Bell) is bookish, bullied and closeted. Ruben (Gadd) is the swaggeringly violent ex-con son of his mother’s girlfriend. The six-part drama – which reaches its devastating finale next week – traces the inseparable duo’s toxic relationship across three decades. Continue reading...
In new Netflix documentary, pop superstar says she ‘got through it, again’, referring back to successful treatment for breast cancer in 2005 Kylie Minogue has revealed that in early 2021 she was diagnosed with cancer for a second time, after diagnosis and successful treatment for breast cancer in 2005. The pop star discussed the previously unannounced diagnosis in a new Netflix documentary entitled Kylie, available from today. “My second cancer diagnosis was in early 2021. I was able to keep that to myself … Not like the first time,” she said, referring to her highly publicised first treatment. Continue reading...
The actor, best known for his role as Jamie in Netflix's gritty drama Top Boy, denies two counts of rape, two of assault by penetration and one of sexual assault against a woman in January, 2023.