๐ฌ๐ง ์๊ตญ ยท "ARCHITECTURE" ยท ์ด 9๊ฑด
ํํฐ ๋ณด๊ธฐํ์ฌ ์ง์
50.0
0 = ๋ถ์ ์ฐ์ธ
50 = ์ค๋ฆฝ
100 = ๊ธ์ ์ฐ์ธ
์ต๊ทผ 7์ผ ๊ธฐ์ค 3,880๊ฑด์ ๋ถ์ํ ๊ฒฐ๊ณผ, ๋ด์ค ์ฌ๋ฆฌ์ง์๋ 50.0(๊ท ํ)์ ๋๋ค. ๊ธ์ 1๊ฑด(0.0%)ยท์ค๋ฆฝ 3,878๊ฑด(99.9%)ยท๋ถ์ 1๊ฑด(0.0%)์ด๋ฉฐ, ์ค๋ฆฝ ๋น์ค์ด ๋๋ ทํ๊ฒ ๋์ต๋๋ค. ์ฑํฅ ์ง์๋ ์ข ํฉ 2.1(์ค๋ ๊ท ํ)์ ๋๋ค.
The man behind Redmond's direct billing model and its geo rollout explains why the new version forgets the channel to its cost
Buzzy new thriller Backrooms takes us on an unknowable journey through liminal spaces, the latest film to turn a building into a horror villain When architect turned furniture store owner Clark (Chiwetel Ejiofor) finds a portal to a mysterious realm of โbackroomsโ in the basement of his showroom, he struggles to explain it to his therapist, Dr Mary Kline (Renate Reinsve). โI found a place โฆโ Continue reading...
SPONSORED POST: Hyperscaler adoption and AI workloads are accelerating multi-architecture infrastructure
Hyperscaler adoption and AI workloads are accelerating multi-architecture infrastructure
PC, Xbox, PlayStation 5; IO Interactive The stealth masters behind Hitman go loud for this game about Bondโs brilliant beginnings Given that weโve not had a great James Bond video game in decades โ or any Bond film at all in five years โ thereโs a lot of pressure on 007 First Light to reinvigorate a British cinematic hero. But developer IO Interactive has been auditioning for this role for some time. Itโs there in the globetrotting nature of its Hitman assassination games, starring a besuited hero who knows how to turn a soiree to his deadly purpose; then thereโs the developerโs evident eye for corporate opulence and brutalist architecture. Even their in-house game engine, Glacier, sounds like a secret codename cooked up in a Bond villainโs lair. All it would take is a slight shift in Hitmanโs moral compass โ more old boys club, fewer old boys clubbed โ to turn IOโs familiar series into a Bond game with minimal fuss. 007 First Light refuses that easy route. We join young Bond in his pre-00 days, as a petulant, belligerent rule-breaking trainee. Actor Patrick Gibson begins as a cookie-cutter insubordinate, but warms to the role once heโs bouncing off M (herself a green leader looking to make her mark), and an enjoyably urbane Q who drops the frustrated quartermaster routine and introduces Bond to the wonders of vinyl. A scene where he teaches our agent to tie a bow tie is a perfect bit of prequelcraft: arriving at an iconic look through a lovely character touch. Continue reading...
As former Soviet Republic goes to the polls, it finds itself in a strategic tug of war between Russia, the US, Turkey, Europe and Azerbaijan To describe Yerevan, a charming city of liberal values encased in imposing Soviet architecture, as the centre of the world is a stretch, but Armeniaโs claim that it can become the strategic crossroads of the landmass of Eurasia is becoming less and less fanciful. As the former Soviet Republic goes to the polls on 7 June for national elections, it finds itself in a five-way tug of war between Russia, the US, Turkey, Europe and Azerbaijan. The interest has in part been sparked by the possibility of an end to Armeniaโs conflict with its neighbour Azerbaijan โ and the chance this represents for Armenia to end its physical isolation and become part of the middle corridor, a vital trade route linking western China and Europe, bypassing both Russiaโs northern corridor and the Suez canal. Continue reading...
Dallas Symphony Orchestra/Luisi/Lindstrom/Delavan /Johansson (Delos) Captured live in concert performances, Fabio Luisiโs clear-sighted command and strong orchestral playing make this Wagner set frequently impressive, with Mark Delavan an authorative Wotan Concert performances of opera can provide ideal conditions for live recordings. This ambitious release of Wagnerโs Ring Cycle on 13 CDs, captured in 2024 with the Dallas Symphony under music director Fabio Luisi, is a fine example. The Italian maestro has a strong record, having stepped in at the Metropolitan Opera in 2011 when James Levine had to withdraw from Siegfried due to illness. With his clearheaded approach, a keen sense of Wagnerโs operatic architecture, and a supple way with phrasing, he is perhaps the most compelling reason for acquiring this frequently impressive set. Continue reading...
Talk as much as you like about human rights, nothing will change until the architecture of global finance is reformed - by Attiya Waris Read on Aeon
In 1840, British architect George Wightwick published a world history of architecture in the Romantic mode, inviting readers to enter a vast garden where Buddhist iconography rubs shoulders with Greek temples and Egyptian pyramids gaze upon Gothic cathedrals. His intended audience? Idle women. Matthew Mullane revisits this visionary but ultimately unpopular text, revealing the legacy of attempts to gatekeep the realms of imagination and fantasy pertaining to the built environment.