‘I’ve always used my voice online’: the rapid rise of photographer Misan Harriman – and what happened next

After a career as a City headhunter, Harriman took up photography eight years ago and became well known for his protest images. He was soon shooting the cover of Vogue and made chair of the Southbank Centre. How did he end up engulfed in controversy over his social media?

It has been a hectic few weeks for Misan Harriman. When we meet, he has just returned from New York, where he hosted screenings of a new documentary about his work as an activist and photographer of protests, Shoot the People. While there, the 48-year-old got to soak in the glorious chaos of the New York Knicks’ victory parade.

“I’ve never seen New York like that: all colours, all shapes, and sizes,” says Harriman, who had not been to the city since he was a child. For him, the parade – in which 2 million people took to the streets to celebrate the basketball team’s first NBA championship win in 53 years – complements his incredibly popular protest photography.
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