From the pain of apartheid to luscious beauty: 10 of the best recordings by jazz legend Abdullah Ibrahim

The pianist and bandleader, who has died aged 91, had an inimitable style where bright, guileless melody met a fearless improvisational impulse

• South African jazz pianist Abdullah Ibrahim dies aged 91

Scullery Department (from Jazz Epistle Verse 1, 1960)

Born Adolph Johannes Brand in Cape Town in 1934, Abdullah Ibrahim spent his six-decade career defining the heartfelt sound of South African jazz. Making his professional debut as a pianist at 15 under the name Dollar Brand, it was his co-founding of the group the Jazz Epistles in 1959 that laid the groundwork for his journeying career. South Africa’s first Black jazz group, featuring trumpeter Hugh Masekela who would go on to become a star bandleader in his own right, the Jazz Epistles’ first and only album Jazz Epistle Verse 1 is a sprightly document of the South African take on bebop. Although album opener Dollar’s Moods is named for Ibrahim, it’s the record’s closing number Scullery Department that highlights his nascent skills. Heavy-swinging over a bluesy motif, Ibrahim’s playing artfully skips through an opening polyrhythm before taking a solo that refigures Thelonious Monk’s wonky melodic motifs into an earthy sense of groove that would go on to feature throughout his hundreds of recordings to come.
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