Myles Smith: My Mess, My Heart, My Life review | Alexis Petridis's album of the week

(RCA)
He can write a decent rousing chorus, but the Stargazing hitmaker’s influences couldn’t be more obvious if he tried – right down to a ghastly Galway Girl sequel

You know what you’re getting with Myles Smith, an artist who set his musical stall out early on. Before he was the winner of the rising star award at the 2025 Brits, he started out at open mic nights, performing selections from the oeuvres of Mumford & Sons, Coldplay and Ed Sheeran, still his avowed biggest influences today. The last in particular proved so impactful on the Luton-born singer that he even plays one of those funny small-scale acoustic guitars that have long been Sheeran’s trademark.

You could therefore deride Smith as someone who is intent on piloting his way to the middle of the road – and who is also a little passe. In 2026, even the world of the nice-guy pop-folk singer-songwriter seems to have moved on a bit, its big names either a touch grittier and more obviously rooted in Americana (Noah Kahan, Jelly Roll), or more flamboyant and knowing (Benson Boone), or, at the very least, bolstered by a traumatic backstory that underpins their lyrics (Alex Warren). But if Smith’s approach is a callback to a past era, nobody seems to have informed the public. His 2024 breakthrough, Stargazing, went platinum in 16 countries; it’s still in the UK Top 100 nearly two years after its release, and the follow-up Nice to Meet You is also a platinum seller. A Minute, a Moment – Smith’s 2025 EP that lasted as long as most albums – sold half a million copies in the US alone.
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