‘Allowed me to accept my own taste’: why Bridesmaids is my feelgood movie

The latest in our series of writers highlighting their comfort films is a look at an endlessly quotable antidote to bro-focused comedies

At this year’s Oscars ceremony, Kristen Wiig, Maya Rudolph, Melissa McCarthy, Rose Byrne and Ellie Kemper lined up on stage to celebrate 15 years of Bridesmaids. Frankly, as awards bits go it was a little hard to watch, and the lineup was missing Wendi McLendon-Covey (recovering from a neck lift, naturally), but I had a small thrill seeing them together anyway: Bridesmaids has been my comfort film for almost half my life.

Bridesmaids, written by Wiig and Annie Mumolo and directed by Paul Feig, arrived in a confetti shower in 2011. It follows Annie (Wiig) – already in a fragile state following the collapse of her bakery, her relationship and her living situation – as she navigates being maid of honour for her best friend Lillian (Rudolph). We don’t see much of Dougie, Lillian’s fiance: it’s Annie and Lillian’s relationship that takes centre stage here. They have the sort of friendship it seems impossible to break, built on years of love, shared tastes and endless inside jokes – that is, until the wedding planning begins, and Annie finds herself ill-equipped to lead the motley crew of bridesmaids Lillian has assembled in the run-up to the wedding. No one poses a greater threat to the friendship or Annie’s headspace than Helen (Byrne), the perfectly manicured wife of Dougie’s boss. Helen is everything Annie is not: pristine, well-connected and apparently excellent at organising bachelorette parties. They clash constantly, with increasingly messy results.
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