Supergirl: doggy distress, frontier justice and a new direction for superhero movies – discuss with spoilers

Craig Gillespie’s far-out adventure is something of a quirky oddity compared to bigger blockbuster outings – so why is it failing to fly at the box office?

James Gunn’s Superman was the major make-or-break moment for DC’s latest cinematic reboot. And yet its follow-up may ultimately prove just as revealing, not least because it offers up a first real indication of the kind of universe Gunn intends to build once the novelty of the man of steel’s return has worn off. Will every chapter of the DCU be chained to the kind of world-saving spectacle we remember from the older Zack Snyder films? Or is there room for stranger, smaller stories to take place in the same shared reality?

With Supergirl, the answer appears to be yes. Craig Gillespie’s film heads in some unexpectedly far-out directions, makes one particularly bold change from its source material, Tom King and Bilquis Evely’s acclaimed comic Supergirl: Woman of Tomorrow, and quietly suggests that DC’s greatest strength may lie not just in trying to out-Marvel Marvel. Here’s the lowdown for those who’ve seen it – and don’t forget to let us know your thoughts in the comments on how this affects Gunn’s wider universe.
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