The best recent poetry – review roundup

Cafés by Holly Pester; The Acrobat by Wisława Szymborska; Volvelle by Rachael Boast; Tree of Knowledge by Victoria Chang; Talk a Blue Streak by Lila Matsumoto

Cafés by Holly Pester (Fitzcarraldo, £12.99)
Beginning with a sequence of prose poems in which the speaker embarks on an anti-epic quest to open her own cafe, Pester’s second collection builds into a meditation on the nature of desire and disappointment. Comic timing remains a strength, as does her linguistic flexibility, wielding language as a weapon in the face of exploitative working conditions, endless monthly direct debits (“Even my egg subscription is a disaster”) and an intensifying cost-of-living crisis. Juggling the demands of caring for an ageing parent, the excited desperation of a love affair, the “fudgy ordeal” of work and the possibility of parenthood, Pester’s speaker discovers solace in the third space of the cafe, both a meeting point and melting pot. “Here begins inspiration, here begins drama,” she suggests. “I order another coffee in honour of circumstantial life.” Ambitious and inviting, this confident collection confirms Fitzcarraldo’s entry in the arena of contemporary poetry.

The Acrobat by Wisława Szymborska, translated by Stanisław Barańczak and Clare Cavanagh (Faber, £12.99)
A slimline selection of Szymborska’s work, showcasing intimate and immediate poems that explore themes of endurance and astonishment. Reflecting the turbulent history of Poland in the 20th century, Szymborska describes life both during and after conflict, documenting the violence of war alongside moments of resilience and poignant domesticity. “After every war / somebody has to tidy up,” she reminds us. “Someone has to shove / the rubble to the roadsides / so the carts loaded with corpses / can get by.” With plainspoken wisdom and deadpan humour, these poems celebrate the ordinary in extraordinary times. Rooted in the pains and joys of everyday human experience, Szymborska’s poetry proves “The commonplace miracle: / that so many common miracles take place.” The book ends with her 1996 Nobel acceptance speech, in which she praises the inexhaustible wonder of the world: “It looks as though poets will always have their work cut out for them.”
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