Benita review – Alan Berliner puts new spin on late film-maker’s work in entrancing tribute

After Benita Raphan took her own life in 2021, director and friend Berliner spent years poring over her unfinished work to create a documentary unlike anything else

This is a one-of-a-kind documentary that has been coaxed and cut together by veteran film-maker Alan Berliner (Intimate Stranger, First Cousin Once Removed), who also serves as its narrator – but most of its graphics, footage and imagery were made by film-maker Benita Raphan, also the subject of the film. As such, it’s not exactly a collaboration since Raphan took her own life in 2021, for reasons the film gently tries to untangle. Nevertheless, Berliner commits to creating in this film something that limns the fragile spirit, startling originality and dogged, and indeed doggy, kindness of his canine-loving late friend.

In the process, Berliner has completed the unfinished film she was worrying over when she died but at the same time makes something entirely new; it might be called a tribute perhaps, or a bio-pastiche, or maybe a found-footage cinematic seance. Any way you slice and dice it, it’s a strangely entrancing work, an “irregular verb” like its subject, as she was described by her mother Roslyn in her New York Times obituary.
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