‘It’s more than backcombing a beehive!’ How tribute acts got massive – and put the live music scene back in the black

Versions of Amy Winehouse and hundreds of other musicians are generating millions for beleaguered UK venues. But what is the emotional toll for the imitators, and are they pushing out original artists?

As peak heatwave sun beams down on to a field in Derbyshire, Amy Winehouse tells the crowd she is in need of hydration – so Robbie Williams fetches her a drink. Elsewhere, members of the public stop the Beastie Boys for selfies, Fred Durst grooves along as Diana Ross covers Al Green, and shirtless teenagers form a circle pit during Korn as a woman sits knitting in a camping chair just behind them. James Brown and Prince turn out to be the same artist – just dressed up in different clothes.

These are all scenes from Replika festival last month, which won the Guinness world record for the biggest tribute festival, with 108 acts performing across a very sweaty weekend. The punning deserves an accolade of its own: acts included Catfishing the Bottlemen, Pearl Scam, Wrong Jovi and Iffy Clyro.
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