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EFP Future Frames – Generation Next of European Cinema, a program for young European filmmaking talent, will return to the Karlovy Vary Intl. Film Festival next month. Organized by European Film Promotion in cooperation with the festival, and with the support of Creative Europe – the MEDIA Programme of the European Union, this year’s edition […]

Tuko (Kenya)

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Nairobi teacher's creative lesson on how pupils should escape during fire impresses Kenyans

Kenyan teacher Marion demonstrates vital fire drill techniques, showing pupils how to escape smoke-filled rooms. Many Kenyans applaud her life-saving lesson.

The Times of India

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'She did what the director asked her to do': Jagapathi Babu backs Janhvi in 'Peddi' controversy

Amidst the controversy over Janhvi Kapoor's performance in 'Peddi', seasoned actor Jagapathi Babu has come to her defense. He highlighted that Kapoor acted in alignment with director Buchi Babu Sana's artistic intent. Babu encouraged detractors to shift their focus to the film's creative aspects instead of targeting Kapoor herself, noting that actors typically have little say in the final product.

OilPrice

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Big Tech's Hottest New Energy Fix Doesn't Generate Any Power

The artificial intelligence boom is driving a new wave of energy innovation as the public and private sector scramble to match planned energy capacity additions with projected demand. Experts expect that energy demand from data centers in the United States alone will skyrocket by almost 360% between now and 2030 to reach 110 GW. Meeting this demand while keeping energy affordable and sustainable presents an enormous challenge for world leaders, and will require creative thinking and major technological advancement on the part of the energy sector…

IEEE Celebrates Technology’s Brightest Minds at Annual Event

New York City was the backdrop of this year’s IEEE Honors Ceremony, held on 24 April. The event celebrates engineering pioneers who have developed technologies that have changed how people connect and learn about the world. This year’s celebrants included the engineers behind innovations such as text-to-donate technology, AI-powered diagnostic tools, and the graphics processing unit, among many others. Prior to the Honors Ceremony, IEEE hosted a forum on 23 April for a select group of early-career achievers to exchange ideas and experiences with laureates and awardees, speakers, and IEEE leaders. Attendees from around the world, working in a variety of technical areas, shared their journeys and explored the intersections of technologies, disciplines, and missions. The event culminated in Friday evening’s black tie Honors Ceremony, where IEEE celebrated medal laureates, including Jensen Huang, who received IEEE’s highest recognition, the IEEE Medal of Honor. Huang is a cofounder of Nvidia and its chief executive. “IEEE has always been a home to those who see the future before others see it,” Mary Ellen Randall, IEEE president and CEO, said in her welcome speech. Video highlights and photos from the event are available on the IEEE Awards website. Exploring mission-driven tech and AI in art Friday morning began with a conversation between Randall and Marian Croak, the recipient of this year’s IEEE Founders Medal. Croak was honored for “leadership in communication networks, including acceleration of digital equity, responsible artificial intelligence, and the promotion of diversity and inclusion.” Croak, who serves as vice president of engineering at Google, headquartered in Mountain View, Calif., pioneered Voice over Internet Protocol (VoIP) technologies. When a person speaks into a telephone, VoIP converts their voice into digital signals that are transmitted over the Internet rather than traditional phone lines. Her work enabled audio and video conferencing. She also developed text-to-donate technology to raise money for those affected by Hurricane Katrina, which devastated New Orleans in 2005. The technology enables customers to donate money to a charity via their mobile service provider, which then bills them. “Empathy has always been a driving force in the engineering that I’ve done,” she said. She shared advice on how to stay creative: “Get out of the office. Go to an art museum, exercise, or play with children.” Croak said her grandchildren inspire her. An inside look at microchips During Friday evening’s Honors Ceremony cocktail hour, attendees explored the history of microchips at the IEEE Global Museum’s Microchips That Shook the World exhibit. The Global Museum, an IEEE History and Heritage program, develops traveling and digital exhibits focused on the history of technology. The museum’s mission is to promote awareness of how technological progress unfolds over generations and how engineers and researchers build on past achievements to benefit humanity. Drawing from IEEE Spectrum’s Chip Hall of Fame, the Microchips That Shook the World exhibit conveys the roles integrated circuits play in fields such as signal processing, audio engineering, and telecommunications. Co-curators Stephen Cass, Spectrum’s special projects editor, and Daniel Mitchell, the IEEE senior historian, served as onsite docents for guests. The Commodore 64, one of the artifacts on display, brought up many treasured childhood memories for guests who used the home computer. The exhibit also featured a preview of IEEE’s immersive video project “Inside the Microchip,” which delves beneath the silicon surface of the Nvidia NV20 microchip thanks to forensic photography and sophisticated computer-generated renders. The video, which will be released later this year, aims to teach preuniversity students about the technology. Microchips that Shook the World is possible thanks to donations from semiconductor company ASML, the Bill and Dianne Mensch Foundation, and the IEEE Electron Devices and IEEE Electronics Packaging societies The daytime program also spotlighted AI’s use in the visual arts. Kathleen Kramer, the 2025 IEEE president, interviewed artist Refik Anadol, who is scheduled to open an AI art museum on 20 June in Los Angeles. Dataland’s exhibits are powered by an open-access model developed by Anadol’s studio. For the museum’s first exhibition, “Machine Dreams: Rainforest,” the model collected visual data about the natural world from the Smithsonian National Museum of Natural History, London’s Natural History Museum, and the Cornell Lab of Ornithology, with their permission. The information, including up to a half billion images, will form the basis for a variety of AI-produced art, Anadol said. Anadol said he was inspired to mix AI with art by the movie Blade Runner. He said he believes “machines can become collaborators,” as “data is a form of pigment.” Data also plays an important role in the work of artist and author Giorgia Lupi. The artist is a partner at design firm Pentagram. Lupi said she uses data to tell stories, including chronicling her struggles with a chronic illness. “Data is an abstraction of our reality,” she said. One of her recent projects, “A Data Love Letter to the Subway,” was shown last year in the Dey Street Passageway in New York City. The video was made using data from the Metropolitan Transportation Authority about each train line, including timetables, ridership, and people’s travel habits. Based on the information Lupi gathered, she documented how commuters traveling on different subway lines encountered one another without realizing it. By exploring data on this year’s IEEE award recipients, she collaborated with IEEE to create an animated video illustrating the shared pathways and collaborations among the honorees. It debuted at the Honors Ceremony. Honoring engineering giants The Honors Ceremony, held at Cipriani 42nd Street, recognized more than 20 laureates and innovators. More than 92 million selfies are taken worldwide every day, PhotoAiD estimates. A selfie wouldn’t be possible without Eric Fossum’s invention of the CMOS image sensor. Developed at NASA’s Jet Propulsion Laboratory, in Pasadena, Calif., the “camera on a chip” was intended for use in space, but it is now found in smartphones, medical devices, and vehicles. Fossum, an IEEE Life Fellow, received the IEEE Jun-ichi Nishizawa Medal, which recognizes outstanding contributions to materials and device science and technology. “Engineering is a pursuit of what must be possible. [IEEE is] the spirit, the conscience, of our profession.” —Jensen Huang, founder and CEO of Nvidia The medal, he said, “is at the top of the IEEE staircase of being recognized by your peers.” The IEEE Holonyak Medal for Semiconductor Optoelectronic Technologies went to Steven P. DenBaars, a professor of materials and electrical and computer engineering at the University of California, Santa Barbara. DenBaars was honored for his work in semiconductors, which laid the foundation for high-resolution LED and laser displays, modern solid-state lighting, and more. “This work has always been a team effort...I’m excited and curious about the role gallium nitride micro LEDs will play in optical communications,” he said in his acceptance speech. The ceremony ended with the Medal of Honor presentation to Huang, who received a standing ovation. He was recognized for his “leadership in the development of graphics processing units and their application to scientific computing and artificial intelligence.” The IEEE honorary member donated his cash prize to IEEE TryEngineering, which provides teachers with a library of lesson plans and offers educational summer camps. The Jen-Hsun and Lori Huang Foundation matched his gift, and the additional donation is destined to fund scholarships for new graduates. “Engineering is a pursuit of what must be possible. [IEEE is] the spirit, the conscience, of our profession,” Huang said.

Variety

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Programming Announced for Variety In the C-Suite in Collaboration With Canva at Cannes Lions

Variety returns to the Croisette to once again host Variety in the C-Suite in Collaboration with Canva conversations at Cannes Lions from Monday, June 22, through Wednesday, June 24. Top C-Suite executives from the world’s leading brand and media companies will gather to share industry-leading insights, with conversations taking place at the Canva Creative Cabana. […]

Jemaine Clement and Nicola Walker Are Hilarious as Best Friends at War in Hulu’s ‘Wrong-Com’ ‘Alice and Steve’: TV Review

The Hulu series “Alice and Steve” has many aspects of a romantic comedy: witty banter, protagonists with quirky creative jobs and a set piece centered on a dinner party. But the namesake characters are not, in fact, the lovebirds whose ill-advised union serves as the show’s inciting incident. They’re two middle-aged Londoners whose decades-long best […]

‘Wear something that makes you feel silly!’ Can Austin Kleon’s tips put the spark back in my life?

If you’re in a rut, kids can show you the way out. That’s the latest message from the author of the bestselling Steal Like an Artist. I asked him to help me rediscover my playful, creative side … As a child, I couldn’t wait to be an adult. I’d spend hours daydreaming about the future, my exciting life and what I’d do with all that autonomy, such as own exotic pets, paint my walls bright pink and stay up all night. Now that I’m in my mid-30s, it’s fair to say that adulthood has somewhat lost its lustre. Nothing is wrong, exactly – I’ve even achieved some of my dreams, with a bright pink bathroom and two weird cats – but there’s still a sense of going through the motions, and my days being dully predictable: gym, work, cook, clean, collapse on to the sofa. Continue reading...

Respite needed

THE federal budget is rightly bemoaned as a futile exercise. The space available for anything particularly creative — meaningfully redistributive or growth-enabling — is extremely limited. Instead, nearly every budget of the last decade and a half has been an exercise in managing the fiscal deficit under an IMF programme. Once that’s accounted for, the remaining scraps are distributed as largesse mostly between different arms of the state (and those close to those arms). Every sitting government can, with some merit, claim to be the inheritor of a particularly bad situation. That this extractive revenue appetite is dictated by long-standing issues not of its own creation. That ballooning debt has to be serviced and for that more revenue is an inescapable necessity. That the luxury of pursuing growth does not exist, especially when the IMF looms large. That the straitjacket imposed by entrenched economic dysfunction cannot be thrown off so easily. This would be an evadable charge if it’s a party’s first time in government. But if time spent as the face of the federal government lies in the double digits, perhaps some reflection and accountability are merited. Stretching back to the previous assembly, this will be the current dispensation’s fifth straight budget (under three different finance ministers). Surely that’s enough time to muster some creativity and some resolve to escape the so-called straitjacket. Yet all one can fear is a familiar accounting exercise that aims to extract a few more rupees from a narrow, weary economic base. All one can fear is a familiar accounting exercise that aims to extract a few more rupees from a narrow, weary economic base. Within this base, it’s worth remembering that the vast majority of people are already reeling from a fresh cost-of-living crisis triggered by the imperialist war on Iran. With pump prices still at least 40 per cent higher than their pre-war base, and with second-order effects of pricier oil impacting at least 25pc of household spending, any further increase in the tax burden will be nothing short of disastrous. On the income tax front, the salaried segment has already been recast as a pliant, low-effort source of nearly half a trillion rupees annually. Those below the threshold who can’t be milked through this mechanism are still paying through the sales tax and petroleum levy net. The latter two in particular remain regressive in their incidence and impact. At a time when inflationary pressures have rendered real income growth stagnant for almost a decade, the increased direct and indirect tax burden represents an additional constraint on consumption. One hears plenty of stories of households actively downgrading their lifestyles under mounting financial pressure. Small car owners switching down to motorbikes; children being pulled out of category A or B schools and being sent to smaller, lower-cost ones. Spending on leisure making way for just the basic essentials. To counter these anecdotes, some officials and government partisans often respond by pointing out pockets of high consumption in major urban centres. Look at all the jam-packed restaurants. Look at all the footfall in shopping malls. Look at all the new specialty coffee shops opening not just in Lahore, Karachi and Islamabad, but also apparently in Faisalabad and Gujranwala. All of this is meant to do two things — the first is to undercut the story of economic hardship that depressing anecdotes (and the actual consumption surveys) tell us. The second thing is to provide a comforting story of economic progress that somehow exists beyond the data. For this reason, the notion of the informal economy is often trotted out — Pakistan may be ‘officially’ poor, but unofficially it’s doing much better. There are two things wrong with this approach. The first is that it assumes that the informal economy somehow shows distributional patterns different from the formal economy. Yes, like in any developing country, there is a small segment of privileged high earners who can eat at restaurants and drink matcha. And yes, some of their income will be undocumented and derived from the informal sector. However, this segment is small in relative terms. Pakistan just happens to be a very populous country. The top 1pc would still constitute 2.5 million people; a number large enough to occupy tables and shops in a few commercial localities in the top three to four cities of the country. At the other end, the vast majority of those working in the informal sector are scrambling to meet basic subsistence requirements. There is no major accumulation taking place, no pockets being lined, and certainly not enough being made to contradict the poverty and hardship that recent survey accounts categorically reveal. The second problem is that if one takes the ‘hidden prosperity’ argument at face value, it raises a far more serious question about the government’s ability to tax its citizens fairly. If undocumented wealth and high-end consumption driven by the informal economy are to be cited as proof of economic progress, then there is no good reason why more effort should not be directed at bringing them into the tax net with a view to easing the burden on those already ensnared. On that front, somehow the government repeatedly throws its hands up in meek despair, sustaining unearned privileges of various elites and the tax avoidance and evasion of specific lobbies (such as large retailers and wholesalers). In my view, if the budget is nothing other than an exercise in managing revenue, then there are only two metrics worth evaluating it on: to what extent does the government intend to cut down on its own waste and stop diverting resources towards improving the quality of life of its officials at the expense of the larger population? And to what extent is it spreading the burden outside a small formal sector and the hapless working Pakistanis currently caught in an extractive withholding and indirect tax regime? The writer teaches politics and sociology at Lums. X: @umairjav Published in Dawn, June 8th, 2026

Antara News (Indonesia)

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Gaming, esports seen as drivers of Indonesia's creative economy

Gaming and esports industry has evolved beyond entertainment and has the potential to become a key driver of ...

RFI (English)

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Sound of the silver screen: meet the man getting film music made

Film music helps create the magic of cinema. But who works on this key creative process behind the scenes? French film music supervisor Pierre-Marie Dru tells RFI what it takes to match movies with the perfect soundtrack.

The Dispatch

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What the Pope’s Encyclical Misses About Language

The otherwise thoughtful and constructive Magnifica Humanitas underestimates the profound creative power of words.

Poonam Dhillon praises Ranveer Singh for offering compensation in 'Don 3' row: 'Kudos to him'

CINTAA president Poonam Dhillon defended Ranveer Singh amid the 'Don 3' dispute, praising his professionalism and offering compensation after his exit. Dhillon emphasized actors' right to creative input, stating their intelligence and projection warrant a say in scripts for a project's betterment. The Producers Guild is now mediating the issue. Read on to know more in detail.

Premium Times (Nigeria)

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World Environment Day: Abuja schools compete in AEPB’s smart city competition

The competition, which encouraged students to develop creative solutions for sustainable urban development, featured presentations of city models designed by participating schools. The post World Environment Day: Abuja schools compete in AEPB’s smart city competition appeared first on Premium Times Nigeria.

Antara News (Indonesia)

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Indonesia pushes culture as key driver of creative economy

The Ministry of Creative Economy said that art and culture play an important role in strengthening the national ...

Lagos celebrates 17 years of KingModel

KingModel, the entertainment and talent development brand founded by creative entrepreneur King Daniel, has celebrated 17 years of promoting creativity, fashion, entertainment and youth empowerment in Nigeria. The post Lagos celebrates 17 years of KingModel appeared first on Vanguard News.

Channel News Asia

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A fresh guide to Kuala Lumpur: Where to stay, shop and dine in and around the TRX district

With Malaysia’s first Kimpton now open in Kuala Lumpur’s Tun Razak Exchange, the city’s newest business and lifestyle district is making a case as a sleek stay-and-play base for shopping, dining and exploring creative neighbourhoods nearby.

The Verge

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IT/기술

Control Resonant is a sequel — and also a starting point

Chronologically, Control Resonant is a sequel to 2019's Control. But in most other ways, the games aren't directly connected. To developer Remedy, they're more like two sides of the same coin. When Resonant was first revealed last year, creative director Mikael Kasurinen said you can play the games in any order. The world of Control […]

Anthony Head brought gravitas to Buffy and everything else he touched | Jesse Hassenger

The late actor was a charming and funny father figure, and sometime singer, in the cult TV show, one of his many roles that showed just how much he could do Anthony Head, Buffy the Vampire Slayer and Ted Lasso actor, dies aged 72 For years, fans eagerly anticipated the oft-floated idea of a spinoff from the cultishly beloved 1997-2003 TV series Buffy the Vampire Slayer. As described by creator Joss Whedon, this miniseries would not follow beloved supporting characters like nerdy witch Willow, sardonic vampire Spike or laconic were-teen Oz. It would be called Ripper, and it would focus on the younger days of Rupert Giles, the school librarian and “watcher” character played by Anthony Head. Giles served as the tweedy mentor and father figure to Buffy, the woman chosen to keep vampires at bay, throughout the show’s seven seasons. Sadly, the show never came to pass – and now, with Head’s death at the age of 72, it probably never will, at least not with its signature star. (And probably not its creator, who has since faced multiple accusations of on-set misconduct.) But both creative and fan interest was consistently high; just think about that for a moment. This 90s-originated teen drama tantalized viewers with the promise of spinning off a token grownup character into his own adventures. To picture Buffy’s contemporaries following suit is downright laughable; consider the equivalent spinoff from Dawson’s Creek, for example. Would it star Jen’s Gram? The female teacher who committed statutory rape with Pacey? Even given the expanded possibilities of a more fantastical world, Sabrina the Teenage Witch’s aunts were never exactly in talks with the BBC, either. Continue reading...

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